A Quote by Tom Green
I definitely think L.A. would be a very difficult city to move to and try to make it in. There's a lot of people down there, and it's tough to stand out in the crowd.
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You don't know what a rough crowd is. If all I have to do is go make people laugh, that's nothing. Let me tell you what a tough crowd is. A tough crowd is going to a morning service and you got six people there and you gotta pay your house payment. That's a tough crowd.
You don't know what a rough crowd is. If all I have to do is go make people laugh, that's nothing. Let me tell you what a tough crowd is. A tough crowd is going to a morning service and you got six people there and you gotta pat your house payment. That's a tough crowd.
L.A. can be a tough city, very lonely. A lot of people move here to pursue a dream, and that's understandable. But sometimes it's hard to find genuine friends.
Be one of the crowd? It went against everything a wizard stood for, and a wizard would not stand for anything if he could sit down for it, but even sitting down, you had to stand out.
There's a lot of haters in Philly, but it's a lot of people that give you support - but way more haters. It's definitely a great city to be from. But it's not really a lot of people that come out of there. So when you, like, make it out of Philadelphia, everywhere else is easy.
It was tough [to move to the Golden State Warriors] because of my success level in New York. To leave this city and go out west and move my family was tough, but this is part of the business. Something as a player that might happen to you.
My dad was in the military. It was difficult sometimes, because he would have to be away a lot, and we would have to move around a lot. Trying to adapt to new schools and new places can be really tough.
When I thought about Detroit, I would think big city, very urban - not a lot of places to walk around, not a lot of parks. I sort of pictured Manhattan almost, where, besides Central Park, it's all city and big buildings. But now that I'm here, you see people pushing strollers, people hanging out in the park.
I think the rebuilding of the city has to start with the spirit first. So the music, the vibe, the connection spiritually with the artists. Everybody out here is the main key. A lot of people are still in a lot of tough situations. My heart still goes out to the people of New Orleans.
The average MMA guys have a boxer's stance which makes it easier for a wrestler when they try and take you down. I tend to stand sideways and that gives them only one leg to shoot for, it tends to make it more difficult to try and take me down.
I try to work out, but a lot of hotels don't have gyms anymore, so I always try to find a local gym where there's not a ton of 'roid-heads, 'cause I can't stand them. It's tough.
My first policy move would be to try to get a conversation going in the US about what people stand for and what we really want. Do we want to keep adding people to the world and to our country until we move to a battery-chicken kind of existence and then collapse? Or do we want to think hard about what really is valuable to us, and figure out how many people we can supply that to sustainably?
I feel like a lot of people look at pop music with a very formulaic perspective in numbers and patterns, but an outsider would think that the process is very natural. It is, but there are a lot of times where people treat it like a sport - there are tricks you can pull, different combinations that make something better. I don't really think I approach it that way, but I definitely have a love for the science that is pop song writing.
I think it's very difficult, and people don't give enough credit to how hard it is to do in-game commentary. I'd have a lot of work to do, but I'd definitely be interested. I'm always interested in breaking down the game, and I'd love to see more females doing it.
The crowd can be a little different in some places. For example, in Europe, people tend to be very respectful. They try not to make too much noise at inappropriate times. In other countries, people can be very still. Sometimes I'm not sure if a crowd is into it until the end, when they usually want me to do something crazy for the encore.
Nowadays, you really have to make an impression quick and I think this does give people a chance to show off what they've got. It's very difficult these days. You really have to stand out quickly. I think it's also so diverse that there's enough material for everybody.
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