A Quote by Tom Hanks
Mass-market movies have become about one thing. They kind of declare themselves right off the bat. . . . But when I go to see (a film), I want to be surprised. I want to see something I never expected. And when you get that, it should be celebrated.
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My films are very everyday, and people don't always want to go to the cinema to see ordinary lives. They want to see something a bit more extraordinary. I get that desire, but it's not the kind of film I want to make.
When I'm an audience member I do not want to go and see something that I already know, I want to see something that I don't know. I want to be surprised and stimulated to think about something. I want the magic. I want to be in a situation of uncertainty; that's what excites me.
The truth is, I just don't have that much time to see movies. So if I get two hours where I can actually see a film, I don't want to go backwards, I want to go forwards.
I consider myself more of a film fan than a filmmaker, or I guess it's kind of a balance, fortunately. But I really want to see good movies as much as I want to make good movies and I want to see bizarre movies as much as I want to make bizarre movies.
If you want to be an artist, go to every art gallery, if you want to be in movies, see movies! You have to participate in whichever world you're trying to enter! You have to know what's going on. You can be the best artist in the world but if you don't know one thing about which gallery to go to, you're never going to get it shown in the right place. Learn a little bit about the business of whichever art you're trying to get into. Without it, you will be lost.
We want to see ourselves - but differently. We want to see these dream versions of ourselves. We want to be surprised; we want to be entertained. I think primarily, especially in this country, we ask that movies entertain us, which seems to be something they're less and less likely to do on a continual basis.
We love making movies. We got into the business to make movies. At the end of the day, whether you're doing a low budget film or a big budget film, you want it to do well and you want people to see it. That's the whole point. You want to put some kind of message in it.
I want people to see my movies. My talent, my sensibilities are what people want to see in the movies... While I have the talent to make the kind of movies people want to see I want to continue to do that, keep making big pictures and make what I love. I’m really just making the films I want to see. There’s not a strategy.
I want to see my friends who I have not seen about a year since I've started to do the whole recording thing. I love to sit down with them and have a coffee. I also want to go see movies.
The foreign audiences are somewhat surprised and happy to find an American film that asks questions about American culture. There's a certain kind of cultural imperialism that we practice. Our films penetrate every market in the world. I have seen and have had people reflect to me, maybe not in so many words or specifically, but I get the subtext of it - they're somewhat charmed and surprised and happy to see an American film reflect on our culture. Because they see other cultures reflect on our culture but they don't see US culture reflecting on itself in quite the same way.
It's all about making an experience. You go to the movies to see something you've never seen before. You want to get different people out there with different voices. So you see awesome huge spectacle or just a small unbelievable story you've never seen before.
Well, the studios don't really want to take those risks right off the bat. They'll take the risk after they've seen the finished product and say oh yeah we want that. This is a great film but they are hesitant to take the risk when you just see it on paper.
I want to tell the story. Mostly, when you see rock movies, it has to be this over-the-top thing. I want to give people a Bret Michaels movie where they see that my life is a comedy of errors. I also want to show my fans how to get through the kind of troubles that would leave most people flat on the floor.
Desire is something very egoistic. If you desire something, you also have to take the consequences of that. You have to study the market and see how it can go. I mean to become an artist... You never get the Nobel-price for example. You can normally never become a millionaire. Very few become millionaires, so the circumstances are very bad if one becomes an artist. And that should be taken into consideration.
With the advent of this kind of TMZ culture, it sadly seems to have infiltrated the vanguard of film commentary. I see these reviews sometimes where I think, well, you have a right to say whatever you want about my work, and I will listen whether it's good or bad and see if there's something that I might work with, but personal issues don't have a place in film commentary.
I try to make movies that I would want to go see rather than ones I would just want to do as an actor. I want people to have movies full of romance and hope and empowerment, something they can escape into and feel good about. I love happy endings.
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