A Quote by Tom Hanks

Making a film is to make sure that everybody looks forward to coming to work. — © Tom Hanks
Making a film is to make sure that everybody looks forward to coming to work.
Well consciously what we were doing when making the film was, we really wanted to make sure it was a film about - in our mind it was never really a sequel, it was its own movie going forward and it's why the movie doesn't have a number by it.
I find that male directors are more interested in what the film looks like as opposed to what the film is about emotionally. My job is not to make the film look pretty, and I don't feel drawn to making myself look pretty within the film.
That's my passion. To make sure everybody is treated equally. To make sure we get equal justice. To make sure that everybody is on the same level playing field.
[My work] looks very cinematic because it's not abstract video art. It's sometimes very narrative and since I play with film grammar in my video work, making a feature film was almost the same challenge.
We are looking forward to Donald Trump releasing his medical information. Just making sure everybody is meeting at the same bar here.
The pressure is always there to do my best. I feel happy that I have an audience that looks forward to my next project. I have to make sure that I deliver.
I think what Democrats need to do is they need to work for the country and make sure that not only the southern border but the northern border is secure - make sure that we have the ability on the borders to be able to screen every vehicle coming across to make sure that drugs don't come into this country.
What I love about film is that everybody often connects to something so different, and things you couldn't anticipate when you were making the film, so you just make it as honest as possible.
My hope is that the film Wall Street 2 will actually serve as a way for us to bridge that gap between Wall Street and Main Street. Certainly that's dealt with in the film of how it does affect everybody, so, you know, I always find that when you can create a movie or a play or a book that gives somebody a safe theoretical place to discuss what is really going on in the day it tends to forward discussion, so that would be my hope coming out of the film.
I've always felt that I wanted to make a Marvel film... I just want to make sure I'm not making an episode.
The next film I'm making is a horror film, and I'm making it with A24. It's a dark break-up movie that becomes a horror film, set in Sweden. That's all I can really say now. It's called 'Midsommar.' Everybody's been spelling it wrong. It's 'midsummer' in Swedish.
Every time I do a film, I have to make sure that when someone looks at me, they can't recognise Disha. It has to be a character. I want to do strong roles.
Everybody who's making the movies needs to work hard to make sure they're good. And if you don't show up and see the movies and support them financially, no one is going to make them. It's going to change unless it makes money. That's the long and short of it. You have to give in to the fact that it's a business.
Everybody was being decent, and when people are decent, thing work out for everybody. That has been my theory all through life. If you're making money, let the other fellow make it too. If somebody's getting hurt, it's bad, but if you can work a thing out so that everybody profits that's the ideal business.
I never want to make a film. I don't wake up in the morning going, 'Ooh, I'd really love to be on set making a film today'. I'm aware that other contemporary film directors perceive film-making as what they do, as what they have to do. But I would hope that I am more catholic in my tastes.
We have a huge game coming up in semi-finals. Just studying Finland or the Americans, whoever we're playing. Just moving forward, working hard in practice and making sure we stay sharp.
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