A Quote by Tom Hanks
What we're doing with Band of Brothers is trying to put it into human terms, so it is not just a flickering, black and white myth on a screen, it is a resonant story. I want the audience to recognize themselves in these men. They're not just mythic heroes.
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We have been playing to a 70-30 black to white audience. And we are just doing what should come next, trying to attract a larger house, trying to reach an audience that's half black and white.
I'm to trying to say I'm something I'm not. Black people understand that. I'm just doing my raps, my way. Rap is black. I recognize that and respect that. I'm just a white guy trying to rap, and I got lucky.
In terms of the mechanics of story, myth is an intriguing one because we didn't make myth up; myth is an imprinture of the human condition.
Just like in the art museum, and notions of beauty and pleasure, if the hero is always a white guy with a squared jaw or pretty woman with big breasts, then kids start thinking that's how it's supposed to be. Part of the problem was that black comic book artists were making super heroes with the same pattern as the white super heroes. When you read a lot of those comics, the black super heroes don't seem to have anything to do.
You don't want the white men to be written in a three-dimensional way but the black men, not. I mean, it's just about [how] scripts should always reflect real human beings. So that's what I look for.
Motion pictures are just beginning to live up to their true potential of being immersive experience - going from beyond black and white flickering images to fully immersive 3D color high-definition. You don't even know where the real world starts and the fake world begins. And yet, none of that's going to matter unless the story and the emotions that they allow us to become invested in are something that we can recognize. Pixar is able to do this in ways that almost defies speculation.
In America, a black man has to feel like he's God just to make it a little bit when white people can just feel human. They can just be themselves, but for me, I feel we have to start instilling that back into our people. That pride. That black power. That privilege to be alive.
I never saw music in terms of men and women or black and white. There was just cool and uncool.
When you screen it the first couple times, you're just trying to get the movie to work, trying to get the story to flow, trying to find out where your areas are where you have enough breath to laugh a little bit. So you're doing that the first two or three screenings, and then finally, you dial the movie in and it's working, and at that point, it's 50/50 as far as what's funny and what's working. Sometimes you'll put something in and it will just die so hard that it'll almost kill the movie.
We must begin to tell black women's stories because, without them, we cannot tell the story of black men, white men, white women, or anyone else in this country. The story of black women is critical because those who don't know their history are doomed to repeat it.
I think that one of the hardest things in the world to be is a black male. I mean everyone hates your guts. White men are afraid of you. White women are afraid of you. The cops hate you. The government wants you dead. Your own people want to shoot you for what you got. You just can't get over it. And even if you are able to get over it you're forced to do it on the white guy's terms.
I look at the story, I look at the idea and just try to think of it in terms of that whole body of myth and see where the characters fit in and what they ought to be doing-all those archetypes are there to play with.
They wanted black women to conform to the gender norms set by white society. They wanted to be recognized as 'men,' as patriarchs, by other men, including white men. Yet they could not assume this position if black women were not willing to conform to prevailing sexist gender norms. Many black women who has endured white-supremacist patriarchal domination during slavery did not want to be dominated by black men after manumission.
And then there was moments with white guy where like we would be in Harlem. There would be five brothers in the corner, and this is an awful feeling but you're holding his hand and you want to pull your hand away cause you don't want the judgment. And you're gonna get the judgment even if it's just in looks. And the black men are the worst when it comes to judging.
If I just wanted to put clean, perfect images of black people on the screen for an hour and a half, first of all, there are other people already doing that, and they're making a lot of money doing it.
If an audience finds themselves paying attention to how you made your film, you're sunk because that means they're unplugged from your story. What matters is what's unfolding on the screen, not how you put it there. It doesn't matter if it's red triangles or million dollar software if the audience doesn't care.
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