A Quote by Tom Hardy
I had no immediate knowledge of the world of Batman at all. I'm quite incubated. I just keep myself to myself and my dog.
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From quite early on, I had this idea of compartmentalized identities - 'this is how you are when you are with your mum, and this is how you are when you are with your dad' - so it seemed like I could never absolutely be myself. And the image of myself as compromised and inconsistent made me want to withdraw from the world even further. I had a sense of formulating a paper-mache version of myself to send out in the world, while I sat controlling it remotely from some smug suburban barracks.
I want to be challenged, I want to keep challenging myself - whether or not it's changing yourself physically or just pushing yourself to a certain extreme. I get bored quite easily so I like to keep my mind entertained by challenging myself.
I figured out that I could think of my childhood dog that had died, and I could bring myself to tears. So I used that poor dead dog for several years until it just didn't work anymore, and I had to find something else.
It's something I have to remind myself about, that at every competition, I put a lot of pressure on myself, almost like it's the end of the world, and I have to keep reminding myself it's not.
I’m more comfortable with myself than when I was younger. I hated myself then. Wait, I didn’t hate myself – that’s a strong word. But I was so diffident. I didn’t know how to act, for one. I had no confidence in that area or in myself at all, really. I had a big inner critic and still do. I just don’t listen to it so much.
With regards to the paint, I'm normally quite introverted and shy. I keep myself to myself, and I find that when I hide behind the paint, so to speak, I'm able to let myself go more and move more freely than I can without it.
My knowledge of myself is direct, synthetic, from within outwards; my knowledge of other persons is indirect, analytical, from outside inwards. My knowledge of myself starts at the core; that of others at the crust.
My favourite superhero is obviously Batman because he's the sexiest. But I can't imagine myself as Batman.
I am very, very aware at all times. I'm watching myself, I'm listening to myself, I'm judging myself, critiquing myself all the time, and I will know when I do something and I will immediately say, "Can I do another one, because I didn't quite get that thing," or that I wanted to do something there and it didn't quite work.
I tried to keep myself away from him by using con words like "fidelity" and "adultery", by telling myself that he would interfere with my work, that I had him I'd be too happy to write. I tried to tell myself I was hurting Bennett, hurting myself, making a spectacle of myself. I was. But nothing helped. I was possessed. The minute he walked into a room and smiled at me, I was a goner.
Ever see this? It's a homeless guy but he's got a dog... The dog's really thrilled with this idea. The dog's going, Hey pal, I can do this by myself pretty well. The longest walk in the world you got me on here.
The world always looks straights ahead; as for me, I turn my gaze inward, I fix it there and keep it busy. Everyone looks in front of him: as for me, I look inside me: I have no business but with myself; I continually observe myself, I take stock of myself, I taste myself. Others...they always go forward; as for me, I roll about in myself.
That helped me to keep in touch with myself and to keep in touch with this really quite extraordinary language and literature into which I had pushed a little way.
It ain't just one guy, it's a team game, and I'll get myself better, I'll keep working on my technique and trying to find ways to free myself and keep making plays.
The freedom of saying anything to him, telling all, relieved a burden I hadn't even realized I'd been carrying. In my relentless push to keep moving forward, there had been so many emotions I hadn't let myself inhabit fully, so many things I hadn't talked about. Now I couldn't quite catch up to myself.
I wanted to make a film that wasn't just a biography. When you watched it, you actually felt that you watched a movie, that you had an emotional reaction. In order to do that, I felt that I had to really keep myself emotionally raw while working on the film. I had to feel myself crying, so the audience could be moved, too.
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