A Quote by Tom Hiddleston
If you look at all of the villains in the course of human history, they've all believed, delusionally, in the virtue of their actions - every villain is a hero in his own mind.
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The thing about villains is that villains always have their own logic, and they don't necessarily see themselves as villains. Richelieu is not a villain, in his own mind. He's doing what he needs to do.
Every villain is a hero in his own mind.
Every villain is a hero in his or her own mind.
No one is an unjust villain in his own mind. Even - perhaps even especially those who are the worst of us. Some of the cruelest tyrants in history were motivated by noble ideals, or made choices they would call "hard but necessary" for the good of their nation. We're all the hero of our own story.
Villains are as important as the hero. Without the right villain, the hero isn't heroic enough.
Every hero is the villain of his own story.
The other thing is we have an incredible villain. And we worked very hard to have villains that are connected to the hero. They have an effect, an emotional effect. They never become out-of-this-world, crazy villains.
democracy produces both heroes and villains, but it differs from a fascist state in that it does not produce a hero who is a villain.
Together we understood what terror was: you're not human anymore. You're a shadow. You slip out of your own skin, like molting, shedding your own history and your own future, leaving behind everything you ever were or wanted to believed in. You know you're about to die. And it's not a movie and you aren't a hero and all you can do is whimper and wait.
Since childhood, I have always rooted for the villains. I would wish the villain beat the hero and get away with everything.
In Shoojit's films, there is no hero and villain. Every character has its own space and there is a social message in all of his films whether it is 'Vicky Donor' or 'Madras Cafe.'
It concerns me when I see a small child watching the hero shoot the villain on television. It is teaching the small child to believe that shooting people is heroic. The hero just did it and it was effective. It was acceptable and the hero was well thought of afterward. If enough of us find inner peace to affect the institution of television, the little child will see the hero transform the villain and bring him to a good life. He'll see the hero do something significant to serve fellow human beings. So little children will get the idea that if you want to be a hero you must help people.
Nobody, they say, is a hero to his valet. Of course; for a man must be a hero to understand a hero. The valet, I dare say, has great respect for some person of his own stamp.
Everybody has a hero and a villain within themselves. So it depends upon you to be a hero or a villain. If you show humanity, it will give you satisfaction.
But at the same time, the commonplace statement about them is true: every character is the hero of his own story. Each has a justification for his actions that is convincing to him. It's fun to give these people voices.
Actors endow the villain in fiction with a warmth and quality that makes them memorable. I think we like fictional villains because they're the Mr. Hyde of our own dreams. I've met a few real villains in my time, and they weren't the least bit sympathetic.
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