A Quote by Tom Hiddleston
Somehow the past is a safe place to explore our collective cultural neuroses.
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Through film, I realized that was a safe place for me to play. It was a safe place for me to express myself and explore these things that I was afraid to explore in my real life.
By importing into the U.K. the divisive politics of anti-racism from America, with its demented campus dramas and neuroses about 'safe spaces', 'micro-aggressions' and 'cultural appropriation,' they make it almost impossible for people of goodwill of all ethnicities to rub along together.
As little boys, my brother and I used to spend hours with my grandmother, asking her about the details of how she came to America. She could only give us a smattering of details, but they all found their way into our collective imagination, eventually becoming a part of our own cultural identity and connection to the past.
Somehow we manage it: to like our friends, to tolerate not only their little ways but their huge neuroses, their monumental oddness: "Oh well," we smile, "it's one of his funny days."
God does not lie in our collective past, God lies in our collective future; the Garden of Eden is tomorrow, not yetsterday; the Golden Age lies down the road, not up it.
A lot of directors are great and they are fine but you know I think that Harry really takes a special point to really engage the actors and really make it feel like a safe place for them to explore whatever it is they want to explore in whatever scene with their character.
The Arts, especially film, transcend all cultural barriers, hopefully offering an avenue where all people can find a common place to meet, understand each other, and nurture a safe world for all our children to grow strong within.
To overcome our biological limitations as individuals, we have co-evolved collective systems and capacities - cultural, social, economic, political, scientific, media, educational, public relations, etc. But the flaw in all that is that we have designed them primarily for comfort, profit, power, control, and entertainment rather than for collective intelligence, sanity, and wisdom.
How can we turn our back on an endeavor which increases our children's cultural intelligence, heightens individual sensitivity and deepens our collective sense of humanity? I suggest to you that we cannot.
The world is a projection of our collective consciousness. If our collective consciousness reaches that place of peace, harmony, laughter and love, it will be a different world.
Our memory is made up of our individual memories and our collective memories. The two are intimately linked. And history is our collective memory. If our collective memory is taken from us - is rewritten - we lose the ability to sustain our true selves.
My philosophy is that it's better to explore life and make mistakes than to play it safe and not to explore at all.
We are somehow the children of the planet, we are somehow its finest hour; we bind time, we bind the past, we anticipate the future - we are going hyper-spatial; we are claiming a whole new dimension for biology that it never claimed before. We are actually becoming a fourth-dimensional kind of creature. Our future is somehow with us, as we seem to be able to move through metamorphosis into our own imaginations - a super civilization spread throughout space and time. Our future is a mystery, our destiny is to live in the imagination.
One of our rules for the show, I guess the filter we try to pass everything through, is it's a safe place for women to be. It's not a show for women, because we're basically 50/50 men/women in our audience, but it's a safe place where women win. Women never lose on our show. I think that's very important. It's very unusual.
God is back and Europe as a whole still doesn't get it. It is our biggest single collective cultural and intellectual blind spot.
Our past can control today and tomorrow only to the degree we allow it. The past should not be a place where we dwell but a place from which we learn all we can and then move on.
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