A Quote by Tom Hiddleston

America and Europe are so different in the way they conceive of themselves and art and cinema. — © Tom Hiddleston
America and Europe are so different in the way they conceive of themselves and art and cinema.
The world of contemporary art has, in a way, exponentially expanded in the last couple of decades, and almost every major city in Europe and Asia and North America has fallen over themselves to have their own contemporary art museum.
The problem in this case was you can't be a middle-aged virgin in America without something being wrong with you. People can't conceive of a virtue in someone else that they can't conceive in themselves. Instead of believing you're stronger, it's so much easier to imagine you're weaker.
If only America would realize that the art of Europe is finished - dead - and that America is the country of the art of the future, instead of trying to base everything she does on European traditions!
This film business, perhaps more so in America than in Europe, has always been about young sexuality. It's not true of theatre, but in America, film audiences are young. It's not an intellectual cinema in America.
Europe isn't something connected by the Euro. Every little dimension of Europe is so hugely different, and I think America is different in its states as well, so I never really think of things in big blocks, in terms of other artists.
I came to Hollywood and I loved it. It was a great time, but in my head I was still elsewhere, in Europe. I believed in a certain cinema, which I still do believe in - a certain European cinema - and as a young woman being in America, I thought I was being taken away from that.
The breakdown of the modern movement led to what later became known as postmodern-whatever the hell that means-referring to the mixture of people and backgrounds that became a common thing among artists in America. Many of the great artists in America, for example, came from Jewish families and backgrounds that fled all the way from Russia. It's remarkable, the great masters of American art and cinema who were coming from old roots in little villages there. And then Hollywood, and the haunting, hypnotic impact that American Cinema had throughout the world . . .
The cinema is not an art which films life: the cinema is something between art and life. Unlike painting and literature, the cinema both gives to life and takes from it, and I try to render this concept in my films. Literature and painting both exist as art from the very start; the cinema doesn't.
If you're interested in how people behave, if you're interested in the way they talk about themselves, the way the conceive of themselves, it's very hard to ignore drugs nowadays, because that is so much part of the conversation.
Much to my chagrin, I think that cinema has gone the wrong way in America because in many ways, I pioneered the use of video which eventually became digital video. Everyone can do it; it's Pop Art time: "Everything is art, why should you take it so seriously, after all it's kind of like a clambake." I don't buy that.
The great thing about cinema is that it's a great binder. It brings people from across the world together, often erasing the lines between geographies, languages, familiarity, and the like. Cinema is art and art, they say, is a reflection of life and society, so the way we tell our stories is the main differentiator for me.
The European Union cannot be compared to the United States. America is a nation, but Europe is not. Europe is a continent of many different nations with their own identities, traditions and languages. Robbing them of their national democracies does not create a European democracy - it destroys democracy in Europe.
The world of the cinema and of painting are very different; precisely, the possibilities of photography and the cinema reside in that unlimited fantasy which is born of things themselves... a piece of sugar can become on the screen larger than an infinite perspective of gigantic buildings.
The way America appreciates cinema is different from anywhere in the world. It's celebrated and supported. I don't just mean by the individuals, but financially as well people are throwing money at certain projects.
Film is pop art. It's not whether it's auteur cinema or not; that's a false distinction. Cinema is cinema.
I think in America there's this free flow between fashion, art, architecture, music and design. In Europe, it's more segregated between those different disciplines, I think.
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