A Quote by Tom Holland

I was joking with my agent that I'm going to get typecast for a water-disaster actor. — © Tom Holland
I was joking with my agent that I'm going to get typecast for a water-disaster actor.
People ask me, 'Are you worried you're going to be typecast as a John Locke type of guy?' I say he's the perfect guy to be typecast as! He's vulnerable and ambitious and sort of unstable. It was a good actor's role.
It's really hard to get a coffee with someone. I have to call my agent, my agent calls their agent, their agent calls their manager, the manager calls back, the actor sends someone to the manager... then you get, 'Yeah, yeah, I'd love to have dinner at six,' and all I wanted was coffee! It can take, like, six days to get coffee.
It's up to the actor to make sure they don't get typecast.
Actually two films is too short a time for an actor to get typecast.
I am conscious about not getting typecast, but obviously I have to keep picking up great roles so that I don't get typecast.
I didn't have an agent until I got 'Hairspray.' I had to get a Broadway show without an agent to get an agent.
I was not only typecast as a Russian, but I was typecast as Yakov Smirnoff. This is understandable, and I was very happy to get the roles, but it would be nice to be in a movie where I could be someone else.
It's weird how an actor can read a script and think 'it's really good, it's really funny, that's going to be really dramatic...' and then you get there and say: "Oh, I have to get in it? I have to get in the water?! Are you kidding?"
I tried for years to get an agent because I was told you needed an agent. The agent-hunting process was grim indeed.
As a filmmaker you get typecast just as much as an actor does, so I'm trapped in a genre that I love, but I'm trapped in it!
I was doing a lot of web design at the time. And anybody that has an agent thinks, "Why do I need an agent?" Maybe it's a little different as an actor - of course you need an agent - but any kind of agency that's selling something for you, you think, "Why can't I sell this myself? It doesn't make sense."
To be an actor in the society in Israel, you have to be ten times better than the Israeli Jews. To get the roles in mainstream theater or to get any role, not typecast as an Arab. And also if you are ten times better, not all the time you get the opportunity.
What's difficult for American audiences is that they're used to a system here where you can get an actor for five years or even seven, and that is signed for at the audition. Whereas in England, no agent will give you an actor for more than three years.
The great thing as an actor is that I don't know what my agent is going to call me with next.
I remember once going to see my agent and going up the stairs to his office to hear him screaming down the phone, He's not a vet, he's an actor!' and that confirmed all my worst fears.
After a natural disaster, safe drinking water is a priority. Humans can live longer without food than water, so communication about clean water is essential to help avoid the risk of cholera, dysentery, malnutrition, famine, and death.
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