My parents were inspired by Bob Dylan and Dylan Thomas when naming me. They specifically saved this masculine name for their only girl.
SADNESSES OF THE INTELLECT: Sadness of being misunderstood [sic]; Humor sadness; Sadness of love wit[hou]t release; Sadne[ss of be]ing smart; Sadness of not knowing enough words to [express what you mean]; Sadness of having options; Sadness of wanting sadness; Sadness of confusion; Sadness of domes[tic]ated birds; Sadness of fini[shi]ng a book; Sadness of remembering; Sadness of forgetting; Anxiety sadness.
My father had wanted to name me for Dylan Thomas. He had seen him speak on one of those drunken poetry tours he did.
People say I've had brushes with the law. That's not true! I've had brushes with overzealous prosecutors!
People say I've had brushes with the law. That's not true. I've had brushes with overzealous prosecutors.
I believe that many people are unhappy because they have not learned to be grateful. Some carry the burden of bitterness and resentfulness for many years. Some pass their days as though suffering a deep sadness they cannot name. Others are unhappy because life didn’t turn out the way they thought it would.
Once there had been joy, but now there was only sadness, and it was not, he knew, alone the sadness of an empty house; it was the sadness of all else, the sadness of the Earth, the sadness of the failures and the empty triumphs.
I had - along with my singing and dancing, I was very happy to be born in the hometown of Dylan Thomas. So the government was financing dramatic groups and amateur dramatics and stuff like that.
Most all of the writers I admired when I was in my teens and twenties died young. Fitzgerald lived the longest. He was 44. Dylan Thomas was 39. And then once you're approaching 40, you suddenly think, "Well, maybe I would like to live longer than Fitzgerald or Thomas."
Brushes are crucial for applying glazes, sauces, and oils. The pastry brushes that you find in homestores can be pricey so pay a visit to your local hardware store and pick up a few paint brushes which are less expensive and work equally as well.
Within the microcosm of a film you get drawn to people. There are certain projects you care enormously about, and 'The Edge Of Love' was one because I was portraying a great hero of mine, Dylan Thomas.
She was an enthusiastic painter of oils and watercolors. She was also very generous. I could mess with her paints and brushes all I wanted. On one condition: that I kept my brushes clean. The only art lesson my mother gave me was how to wash my brushes.
I tell people I never got to hear Dylan Thomas read because my husband wouldn't let me, because he thought it would be a sort of bad influence. People say, 'And you didn't go?' They're so surprised because the me they know would have gone. And I say I was very much a 'yes, dear' wife.
I haven't been reading anything on tour so far, I haven't had a minute. Any moment that I've had recently on the tour has been completely sleeping. But before I left home I was reading Dylan Thomas' book of collected works of poetry. I read a lot of poetry.
It is not true that if we had true faith we would not be sad. Prophets (as), and righteous people experienced a great deal of sadness. The Quran is full of stories in which the central theme is sadness. Sadness is a reality of life. The Quran is not there to eliminate sadness, but to navigate it. Sadness is one of the tests of life, just as happiness, and anger are tests.
By the time someone gave me some samples of standard screenplays I was already beyond that stuff, because I was not only a tinkerer in ways to do things, I'd started from Dylan Thomas. As a screen dramatist he was a very intense visualist, with great timing and fluency.