A Quote by Tom Hollander
The improv technique does one of two things. It either makes you raise your game, or retreat into a corner and decide to find a new career. But you do feel like you want to match and develop things.
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I tell my retreat students that they need to remember two things: to eat what they want when they're hungry and to feel what they feel when they're not.
When you live in New York, one of two things happen - you either become a New Yorker, or you feel more like the place you came from.
I think that in each stage of your career, you need certain things to improve your game and to develop your style of play.
I like to do different things and, as my actrees career evolves, I will choose roles to do things that I haven't done before. There are a lot of different sides of me, and I'm in a unique position now, for the first time in my career, to decide what direction I want to go in.
I like doing live things and plays. You can perfect the laugh or extend the laugh, you can get them on a roll. Versus improv, which I hate. Put it all together. They're more vignettes. Improv makes me slightly anxious because I feel for them.
I feel like in order to challenge yourself you have to get out of and do things that feel wrong at first and find new things. It's important to look for those things.
I'm an actor, so I'm interested in the pursuit of storytelling and character and challenging myself and expanding my craft. That's not something that ever ends, because as you grow as a person, so does your capacity to play different characters. New things come up, new things you want to explore and new stories you want tell about life and your knowledge of things. I don't think there's ever going to be that satisfaction of "and now, comfort."
There are really only two options - you can feel things, or you can shut down. But, once you decide to feel things, you don't get to pick and choose what you feel.
London does two things for me: it makes me feel connected, and it also makes me feel very isolated and quite lonely at times, and that's someone with two children in their family.
I think sometimes when people start doing improv there's some regression towards trying to replicate the "good" improvisers that they've read about in their improv books or heard about from their teachers. That's understandable, because they're trying to learn technique and stuff, but I actually think that my favorite performers are ones who have unique improv technique but also have a unique point of view that you can feel with them and their performances.
I worked extremely hard to put myself in the best position to not have to worry about things when I was out there. Because if I was out of shape, or if I didn't feel well, or if it was going to be a long match or a hot match, or something like that, a lot more things creep into your head.
I also feel like the kinds of jobs I want right now - I consider them aspirational. I want to raise the bar for myself, and I am in this interesting spot where I do get offered a lot of things, but frankly, the majority of the things I get offered I'm not really interested in doing. I want to do the things that I have to fight for.
For me, when I got married and when I had my daughter, those are two things that - when it does feel like work - makes me feel like I'm working for my family. I look around and just feel so blessed, because the opportunities that have been laid at my feet are second-to-none.
I feel as an actor it is very essential to develop new hobbies at least once every two to three months, so that you are pretty well acquainted with all the new things around you.
The thing about new things is you feel new when you buy them, you feel as though you are somebody different because you own something different. We are our possessions, you know. There are people who get addicted to buying new stuff. Things. Piles and piles of things. But the new things become old things so quickly. We need new things to replace the old things.
Quentin's [Tarantino] thing is "I don't want anybody to get up until they have to. So, because he really wants things to come organically. And he may have specific things like "No, this ... I want you to be here so that when he punches you, it falls. I want that action to happen here." But you feel like it does, all the blocking does come from an organic response to the material.
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