A Quote by Tom Hollander
When I started in the profession, there were very visible actors who were Scottish, Welsh, or regional. Lots of working-class-hero leading actors; it was not fashionable to sound posh. Now, I'm middle-aged; it's fashionable to sound posh if you are the generation behind me.
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I've never been aware of the difference between so-called posh actors and working-class actors.
There are lots of actors who are posh and stick with that, and there are lots of actors who are cockney, and that's what they do. That's fine, but I don't think that could be said about me.
When I first left drama school, I was too posh for the working-class parts and not posh enough for the upper-class roles. You know what England is like: the gradations of accent and how you're judged by them are still there. I discovered that to get a break you have to lie about where you're from.
Cricket was deemed too posh where I came from, and I'd never have risked walking home through the estates in my whites. My club played some of the posh schools. I'd have the cheapest kit, but I loved those games. As soon as the posh lads opened their mouths and you heard their accents, the stakes were raised.
I'm finding a lot of actors my age now who are a bit more like me, and not as posh or brought up in a certain way. There's now people of all sorts of kinds of backgrounds.
I mean, look at Adele. She sings and she's not posh, posh, posh. But she's absolutely amazing. She's smashing it. She's global. I just think why change yourself? I'm going to stay as me.
I was always the hero with no vices, reciting practically the same lines to the leading lady. The current crop of movie actors are less handicapped than the old ones. They are more human. The leading men of silent films were Adonises and Apollos. Today the hero can even take a poke at the leading lady. In my time a hero who hit the girl just once would have been out.
When I got into the movie business, working with actors was the one thing I was really weak at. I didn't know what to say to actors. They scared me and intimidated me. The actors that I've worked with who have had a lot of experience, or who I've even grown up watching as a kid, were really scary. I was like, "What am I going to say to this person?" But, I've matured. It's fun. I understand what actors do now.
turns me on so loud it's like no sound, everybody yelling at me hands over their ears from behind a glass wall, faces working around in talk circles but no sound from the mouths. my sound soaks up all other sound.
At Trinity College there was a coterie of the poshest of the posh, people you didn't ever see, they were so posh. They went to each other's rooms and, at weekends, each other's estates. I preferred to be with the weirdo bunch of raggle-taggle thesps.
There's posh character actors. For God's sake, Olivier was one of the greatest character actors in the world. Hamlet, Shylock, Othello - Othello! Whether you like it or not.
...and motioned me toward a spot next to a middle-aged Moroi in a very formal and very designer black suit. The suit screamed, I'm sorry the queen is dead, and I'm going to look fashionable while showing my grief
My parents weren't in the arts, but we grew up in Balmain, which at that time was an artistic, bohemian suburb of Sydney. It's a lot more gentrified now. It was very working class, pubs on every corner because it's right by the water so a lot of the guys on the ships and the boats used to go and drink there. It's very posh now.
I think that, often, actors represent what they're not. You get people who define the aristocracy who are not aristocratic - they're lower-middle class or working class. An awful lot of your so-called angry young actors have grown up in extreme bourgeois comfort. It really is surprisingly common.
We have this wonderful language and we don't appreciate it. That's old-fashioned me, but when I went to school, everyone had elocution lessons, not to sound posh but so you could be understood.
I don't think you can get any more working class than me. Everyone seems posh to me.
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