A Quote by Tom Holt

Luck, like a Russian car, generally only works if you push it. — © Tom Holt
Luck, like a Russian car, generally only works if you push it.
Russia does not have a modern economy: it's a petro-power. The only thing it sells that the world wants to buy is oil and natural gas. When was the last time anyone bought a Russian computer? A Russian car? A Russian cell phone? Russia is so dependent on high energy prices that if oil falls below $100 a barrel, the Kremlin can't meet payroll.
Visas represent one bureaucratic obstacle, so to say and, if removed, might increase the inflow of Russian money into the Czech economy. And not only Russian money, but Russian tourists, Russian entrepreneurs and so on.
Do you ever sing in the car?" "Generally not. But I am driving a police car." "I think people would like a singing policeman. Makes life seem more like a musical. Like Foot-tastic." "You can talk for a long time about nothing." "I certainly can, you charming man!
Raise the stakes! Always push your luck because no one else would push it for you.
Luck generally comes to those who look for it, and my notion is that it taps, once in a lifetime, at everybody's door, but if industry does not open it luck goes away.
Sometimes I feel like I'm not only the engine but the caboose. I have to be in the front car and pull forward, and at the same time run around behind and push everybody along with me.
Things worthwhile generally don’t just happen. Luck is a fact, but should not be a factor. Good luck is what is left over after intelligence and effort have combined at their best. Negligence or indifference are usually reviewed from an unlucky seat. The law of cause and effect and causality both work the same with inexorable exactitudes. Luck is the residue of design.
I took a Russian class at Notre Dame. Never in my wildest dreams did I think I would fly someday in a Russian spacecraft with two cosmonauts, speaking only Russian.
Luck Doesn't exist, only hard (work) works
Most British playwrights of my generation, as well as younger folks, apparently feel somewhat obliged to Russian literature - and not only those writing for theatres. Russian literature is part of the basic background knowledge for any writer. So there is nothing exceptional in the interest I had towards Russian literature and theatre. Frankly, I couldn't image what a culture would be like without sympathy towards Russian literature and Russia, whether we'd be talking about drama or Djagilev.
Losing one's mother to a car crash at age four isn't a readily accessible idea of good luck, but I've come to accept it as the condition that was required for my luck to fall into place.
I don't believe in luck. When I am diligent, my luck is generally good. When I am lax, my invariable turns bad.
Just my luck, if I believed in luck. I only believe in the opposite of luck, whatever that is.
I lived next to Russian soldiers. We had Russian army guys in our house when I grew up. We made lemonade for them; they were everywhere. I had a Russian school. I grew up with Russian traditions, I know Russian songs... it infiltrates me a lot. I even speak a little Russian.
In fact, I have no hobbies. The only thing I like to do in life is to go to the Russian Baths in Manhattan. I also like to watch sports on TV, and I like to read books. So that's it - Russian Baths, sports, and books.
I hold that we have a very imperfect knowledge of the works of nature till we view them as works of God,— not only as works of mechanism, but works of intelligence, not only as under laws, but under a Lawgiver, wise and good.
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