A Quote by Tom Jones

Time is my enemy. Time will catch up with me vocally. And I dread that. I dread to think about life without singing. — © Tom Jones
Time is my enemy. Time will catch up with me vocally. And I dread that. I dread to think about life without singing.
It's hard for me, a Jew, to stay in the moment. Without the past, where is the guilt? And without the future, where is the dread? And without guilt and dread, who am I?
Dread is a womanish debility in which freedom swoons. Psychologically speaking, the fall into sin always occurs in impotence. But dread is at the same time the most egotistic thing.
Love and Dread are brethren, and they are rooted in us by the Goodness of our Maker, and they shall never be taken from us without end. We have of nature to love and we have of grace to love: and we have of nature to dread and we have of grace to dread.
I want to have a good time myself. I don't want to dread going to work no matter what the gig is. I think, selfishly, I will make sure that I have a good time; how about that?
I am inclined to think that as I grow older I will come to be infatuated with the art of revision, and there may come a time when I will dread giving up a novel at all.
I do think that dread is about a certain kind of expectation. And the fact that a picture can never resolve itself the way a movie can - maybe that's a specific kind of dread that becomes associated with a picture.
The [Great] Actor is able to approach in himself a cosmic dread as large as life. He is able to go from his dread to a joy so sweet that it is without limit. Only then will the actor have direct access to the life that moves in him, which is as free as his breathing. And like his breathing, he doesn't cause it to happen. He doesn't contain it, and it doesn't contain him.
One day the enemy will cross the Great Green. They will bring war and tragedy to these eastern lands. Such is the nature of vile men. Yet we cannot live in dread of them. We cannot hide behind these high walls, our hearts trembling. For that is not life. We must accept the needs and the duties of each day, and face them one at a time.
Some people think of the '50s as a time of innocence, but they are misremembering it or reinventing it: if you look at the papers of the time, they are filled with dread and anxiety.
Sometimes I dread the truth of the lines I say. But the dread must never show.
One of my favorite vampire movies is 'Nosferatu,' which has a palpable sense of dread that's a pre-war dread.
When people do not dread authorities, then a greater dread descends.
The dread was built into the 2016 election - a little spoonful of dread.
By sort of combining the research of a lot of smart people, I came up with an equation for dread [dread=uncontrollability+unfamiliarity+imaginability+suffering+scale of destruction+unfairness]. The dread equation is a simplification, but it's a way to explain why we fear something so much when it is so unlikely. Part of it is the lack of control. That's why we're more scared of plane crashes than car crashes even though we know rationally which is more dangerous.
I dread naming pieces of music because being instrumental, most of the time the songs that I write are instrumental, I want the listener to make up their own story as to what it is and get the emotion pure without using logic.
Is he a dread genetic determinist, or a dread environmental determinist? He is neither, of course, for both these species of bogeyman are as mythical as werewolves. By increasing the information we have about the various causes of the constraints that limit our current opportunities, he has increased our powers to avoid what we want to avoid, prevent what we want to prevent. Knowledge of the roles of our genes, and the genes of the other species around us, is not the enemy of human freedom, but one of its best friends.
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