A Quote by Tom King

The idea of doing a buffer, sexier Riddler - I like that. I think he's a reflection of Batman, and I think of him like a scary, evil Batman. Like Bruce Wayne without a conscience.
Bruce Wayne is Batman. He became Batman the instant his parents were murdered. Batman needs Bruce, however hollow that identity feels to him from time to time. Bruce keeps Batman human.
You don't have a Batman without Bruce Wayne. Batman is the edge or scary image for Bruce to use.
I'm kind of living a Bruce Wayne life and then morphing into Batman, but I'm glad now Batman comes out during the day. That's kind of like how drag was: we were called upon at night to make people smile and laugh and clap.
I always knew the way in was Bruce Wayne. It wasn't Batman. It was never Batman. That was the key.
Batman doesn't use a gun. When Bruce Wayne thinks he had to resort to a street thug's level to defend himself and the girl he was rescuing, he decides he can't be Batman anymore.
First of all, what made him [Duke in "Zero Year"] captivating is this sense of somebody who wants to save the city regardless of whether Batman wants to or not, but has been inspired by Batman. He's always been - not combative with Batman or anything - but I think he has a sense that what Robin is and what heroism is in Gotham is something that's inspired by Batman and sort of separate from Batman.
People fantasize about being a hero and helping someone in trouble. Batman is that fantasy realized-not just for Bruce Wayne, but for the audience. Inwardly, Bruce Wayne is still an adolescent watching his parents being murdered. That will never leave him. And people really relate to that.
That's all the Joker is. It's Batman without love. The Riddler is the opposite of that. It's the detective in him.
In a way, the great thing about Batman is that there are so many of him that you can usually find one you like. Often, it's the one that was current when you began following the character. But though you like the Batman of one decade, you may well despise (and not recognize the validity of) the Batman of some other decade. If you've been a fan of the character for forty years, you probably hate half of them.
I really didn't like Batgirl. I was like, "No, if I'm not gonna be Batman, I'm not gonna play." Maybe they could write an evil female super villain who takes over Batman, and nobody knows.
You do Batman right, and he's going to be popular. He's a great character. I was once asked by somebody if writing 'Batman' was like holding a Ming vase or something. And I said, 'No, it's like holding a big-ass diamond that you can't break. You can throw him against the ceiling, against the floor, anywhere, and you just can't break Batman.'
I'm digging Batman. I'm digging that balance, that duality. He's always on the edge and trying to balance himself within the rules of what's lawful and justice, and being Bruce Wayne and being Batman.
I was watching Batman, the TV show, on TV Land, on the cable. And Robin said to Batman, Golly, Batman! Why is the Joker so evil!? And Batman said, Careful, Robin. The criminal mind sees the world through a prism the solid citizen dare not peer through. Batman has a more nuanced worldview than the president.
I'm not in good enough shape to be Batman. I'll just be Bruce Wayne.
When I go to Batman movies, I always think, 'Man, I would like to be a bad guy in a Batman movie.' especially as they got darker when they go to the Christian Bale era.
But I think it shortsells any idea when you say there's a similar part to something else, like 'aw man, 'The Avengers' is ripping off 'Batman.' You've got people running around in outfits.' Of course, there are outfitted people and there's superhero stuff, but it's not just ripping off 'Batman.'
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