A Quote by Tom Kitt

It's the basic rule of musicals: Characters sing when their emotions become so intense that they can't do anything else. — © Tom Kitt
It's the basic rule of musicals: Characters sing when their emotions become so intense that they can't do anything else.
I wrote a song called 'Red' and thinking about what that song means to me and all the different emotions on this album they're all pretty much about the tumultuous, crazy, insane, intense, semi-toxic relationships I've experienced in the last two years. All those emotions fanning from intense love, intense frustration, intense jealousy, confusion, all of that in my mind, all those emotions are red. There's nothing in between, there's nothing beige about those feelings and so I called my record that.
I'm not an abstractionist. I'm not interested in the relationship of color or form or anything else. I'm interested only in expressing basic human emotions: tragedy, ecstasy, doom, and so on.
We all sing about the things we're thinking; musicals are about expressing those emotions that you can't talk about. It works a real treat.
I'm interested only in expressing basic human emotions. And the fact that a lot of people break down and cry when confronted with my pictures shows that I can communicate these basic human emotions.
All those emotions spanning from intense love, intense frustration, intense jealously, all those feelings are red.
• Eating disorders are addictions. You become addicted to a number of their effects. The two most basic and important: the pure adrenaline that kicks in when you're starving—you're high as a kite, sleepless, full of a frenetic, unstable energy—and the heightened intensity of experience that eating disorders initially induce. At first, everything tastes and smells intense, tactile experience is intense, your own drive and energy themselves are intense and focused. Your sense of power is very, very intense. You are not aware, however, that you are quickly becoming addicted.
I do tend to gravitate to the more dramatic side of things. I love feeling intense emotions when I'm acting. I just love characters and stories with conflict.
I was excited to get the opportunity to sing something in a movie 'cause I love musicals and I would love to be able to do more movie musicals, in the future.
I always used to sing in the house and I went to school at Hywel Dda Primary School in Ely. I think they had a puppet-type show there and word got around I could sing. I sang at that puppet performance and used to sing in school. From there, it was in my blood. I didn't want to do anything else but sing.
I just wanted a song to sing, and there came a point where I couldn't sing anything...nobo dy else was writing what I wanted to sing. I couldn't find it anywhere. If I could I probably would never have started writing.
I was in New York doing musicals in the theater and on Broadway before 'Orange,' so people always ask, 'Are you ever going to get to sing? Does she even sing?' But people who know me know I actually do sing.
Basic emotions can be conveyed through anything. As long as you show people that you're human, they'll relate to it.
Certainly, your characters - whether they are superheroes are not - should have foibles. They should have problems; they should have things that their powers can't solve. That's what makes them nuanced, interesting characters. They can have intense motivations. They should have intense motivations to do what they do.
I really wanted to do, more than anything else, up until I was around 16, 17, was write musicals.
I grew up in a household where there were really, really strong matriarchal characters. I think that's true of many Asian households. People tend to think of Asia as a misogynistic society or a society where men rule. At least in my experience, the women rule the household; the women rule the social scene. The men often become very useless.
Curiosity, wonder, and passion are defining qualities of imaginative minds and great teachers...Restlessness and discontent are vital things... Intense experience and suffering instruct us in ways less intense emotions can never do.
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