A Quote by Tom Landry
I just didn't want to leave the Cowboys when they were down. I at least wanted them to get into a respectable position before anyone else took over.
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I wasn't in a position that some other memoirists are, dealing with families who fed them meth, or kidnapped them, or did something that would make the writer not want to see that family again. I wanted to see my family. I wanted to celebrate them. I was proud of who we were, in the wilderness, floating down rapids or hiking over glaciers, and everywhere else.
It took the producers a while to realize I wanted a full-bodied life. I wanted to get out before I felt I'd sacrificed so much to get somewhere that I couldn't afford to leave.
I think, I just always want to leave the door open for, you know, I don't want it to be finished. I've never gotten sick of a song, I've played them over and over and over again, and if I get bored with something, then I'll just change that thing.
I paid more for the Dallas Cowboys than anyone prior than that had ever paid to get involved in sports. But I wanted to be a part of the future of the Dallas Cowboys.
Words were weapons, his father had taught him that, and he'd wanted to hurt Clary more than he'd ever wanted to hurt any girl. In fact, he wasn't sure he had ever wanted to hurt a girl before. Usually he just wanted them, and then he wanted them to leave him alone.
Communism wasn't a word that I thought of when I went to Cuba. The original Fidelistas were not Communists. They were graduate students at the university and law students. After the Fidelistas took over, they went to Washington and tried to get support from the U.S. government, which turned them down. They were in a desperate political and economic situation, so they took the offer from the Soviet Union. Communism was a matter of necessity.
I can tell when I've met a bad journalist when they say, "I've met Madonna," or "I know Marilyn Manson." Because I haven't met anyone I've ever interviewed. I've sat down in the position of an interviewer, and they've sat down in the position of an artist trying to promote a product. We have no relationship. I'm able to ask them questions I'd never be allowed to ask them if we were casual friends. It's a completely constructed kind of situation.
I didn't leave Barcelona in the best way but I took the decision to leave and I don't regret it. There were a few problems with the club - some misunderstandings - and so I decided to leave because I wanted to develop as a player.
I didn't want to be that artist that is successful as a result of someone else. Not that that's wrong, but I felt like I had what it took. I really believed I could do it on my own, so I wanted to try, at least.
I just wanted to feel sexy and get male attention and get guys and do that whole experience because I didn't really have that before. And so when I started to get it, I just took it and ran with it.
You lose anyone, there’s no replacing them. What you need to get is that’s precious, you get to keep that, you don’t want to replace it. That doesn’t mean you can’t find something else just as good.
The thing that bothers me the most is the recklessness and greed of the local ranchers, who run too many cattle back here, choking with waste the creek that runs through my property. There's certain times of day that the cowboys like to send them turds down the river. Them f**kers piss me off. if you gotta mess up the ecology of the world in order to raise a bunch of cows, well eat somethin else. I'm not a fan of the cowboys.
And that's why, when they want to get rid of anyone, they usually bring him down here (like they were doing with me) and say they'll leave him to the ghosts. But I always wondered if they didn't really drown 'em or cut their throats. I never quite believed in the ghosts. But those two cowards you've just shot believed all right. They were more scared of taking me to my death than I was of going.
The sense that in his mother's view, he had let down his family just by being who he was... was a failure of acceptance that he was never going to get over. He just wanted to live, honestly and out front, with no apology. Like everyone else. To love who he loved, be who he was… but society had a different standard, and as he always feared, his parents were a part of that.
Are artists the canaries in the mine, warning of the coming explosion before anyone else? It's hard to look at the world before 1914 and not wonder if they somehow felt a catastrophe was bearing down on them and their societies.
I made it clear when the Barclays took over the 'Telegraph' that I wanted no editorial position there. There is no way I could take a high-level editorial position at the papers. I have my work for the BBC, and that would be compromised if I did.
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