A Quote by Tom Lehrer
"Life is like a sewer - what you get out of it depends on what you put into it." It's always seemed to me that this is precisely the sort of dynamic, positive thinking that we so desperately need today in these trying times of crisis and universal brouhaha.
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Life is like a sewer: what you get out of it depends on what you put into it.
If you embrace 'positive thinking,' you are - by definition - spurning 'negative thinking.' So it's as if you were on a teeter-totter and are trying desperately to put all your weight on one side - the 'positive thinking' side.
'Life Changes' is a song that we feel really connects to the spirit of our band and our fans. It's got that positive vibe we always want to put out there, and the message - no matter how many times you get knocked down, always get back up - will forever be part of the GC story.
Dale was just trying to get third. Maybe he was thinking that he could get a run on everyone coming out of Turn 4. But the race was over. Junior and I had pulled away, so there was no need to block. That always hurt me when people said he was blocking for me, because it almost felt like it was my fault that he died. But I don't think that anymore.
If whites bored me, it was because they bored themselves. They seemed to get little fun out of life and were desperately lonely.
The more I find out about the dynamic and how it works, the more I realize how lucky I am to have ever got anything. Like... there was no need to put me in 'Cinderella Man' - there was no need. Why? Just get an American actor - it would've been cheaper, probably.
Weirdly, I was still trying to be the older brother, and trying to get him [Tom Berninger] to try to be more like me a little bit. Or not be more like me but... I was frustrated that he sometimes let things stop him in his life, and he let the wind get knocked out of his sails a few times.
I was working at the 'New York Times,' ruing every second of my life, thinking how was I ever going to get out of here, and thinking that one could only do it the way newspaper people have always done it. I needed a scoop, and I would go out and I would dream upon coming upon fires or the sky falling in front of me or anything.
Have times really changed? Don't we today, as always, love our children and want them to live righteously? Don't we today, as always, need God's divine protecting care? Don't we today, as always, continue to be at his mercy and in his debt for the very life he has given us?
I started trying to do my own music at home, and I was like, 'You know what, I can play the guitar, sort of. And I can do these things, sort of. And I can make these crazy noises on my computer, sort of. But I need a ridiculously good drummer. I need someone to help me with string arrangements.
I started trying to do my own music at home, and I was like, 'You know what, I can play the guitar, sort of. And I can do these things, sort of. And I can make these crazy noises on my computer, sort of. But I need a ridiculously good drummer. I need someone to help me with string arrangements.'
We have to stop thinking about diversity and start thinking about inclusion. That's what you can take from August Wilson. That there are whole cultures out there living experiences exactly like yours, and their stories can be just as dynamic, sold in the foreign market, put as many butts in the seats as any Caucasian movie out there.
I always get so overwhelmed trying to do everything perfectly. I can't do a job and not put everything I have into it. I need to be the best employee, the best co-worker, the best whatever. I need everyone to like me and I just burn out bending over backward to make that happen. Having people be mad at me is my worst fear. I can't stand it. There is this crazy fear I have of being rejected by anyone - even people I don't really care about. It's always better to leave them first, cut all ties, and disappear. They can't hurt me that way - no one can.
Theatrical times are different from concert times, to put it simply. Taking a figure like [Mahatma] Gandhi and setting him on a stage requires thinking about what theater is about and what the whole experience is about and what we're trying to communicate in that way, so you get into certain less abstract considerations.
I don't get the impression that most sources of media - like television and movies - are trying to get out a positive message, necessarily. My impression is they're trying to get a message out that promotes their personal opinion, position or belief and they're trying to do something that makes money. They want to turn a buck.
I'm sort of old-fashioned in the sense that I like to write something that I feel I could just perform alone, obviously, because I do that a lot in concert. So I try to make a song where there is as much that is as distinct as I can get it, just if I'm playing it or if I'm singing it. That makes me really do a lot of stuff in the guitar work when I sit and try to figure out how to indicate what sort of dynamic I'm aiming for. Where, rhythmically, I want to go. That's sort of what ties a lot of different records together, is that it's usually always based around me singing and playing a guitar.
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