A Quote by Tom Lehrer
Eddie Izzard is wonderful, I think, but I've only seen that one HBO special he did. He's one of the few people who talk about stuff other than girlfriends and relationships and flatulence and genitalia. There are very few of them who actually talk about real stuff.
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I don't really have girlfriends in movies, if you've noticed. Well, I have a few girlfriends, I just... I stay at home a lot. I'm just not very social. I don't do a lot with them, and I'm very homebound. I'll talk to my family, I talk to Brad... But I don't know, I don't have a lot of friends I talk to. He is really the only person I talk to.
When people were like, "Oh, wow, Donald Trump is so crazy. That's so nuts, what's happening?" in the 9 a.m. meeting, Jon Stewart was like, "No, I've seen this before, in Robert Mugabe. I've seen Trump as an African dictator. You guys don't know about nationalist rhetoric all over Europe?" "No, I thought we were the center of the world." He has the ability to actually talk about that in a real way: "Oh, I've been there. I've talked to people there. This is just the remix on stuff that's been brewing for three, four years." That's something very special.
And be silent for the most part, or else make only the most necessary remarks, and express these in few words. But rarely, and when occasion requires you to talk, talk, indeed, but about no ordinary topics. Do not talk about gladiators, or horseraces, or athletes, or things to eat or drink - topics that arise on all occasions; but above all, do not talk about people, either blaming, or praising, or comparing them.
Smoking pot makes people talk for long periods of time, for instance, so people who advocate pot won't shut the hell up about it. On the other hand, no one really needs to defend drinking. That's something that frustrates me as a comic: I have to play clubs where selling booze runs the business, so crowds get drunk and yell out a bunch of stupid stuff at me. Pot doesn't cause people to do that. I did a show in Amsterdam a few months ago, and people weren't yelling stuff out at all. They also weren't laughing very much, but I think they were still having a good time.
We're very good in America at talking about stuff, often stuff to buy. We tend to talk about our iPods. We tend to talk about cars or new fads.
I did a tour of Sweden with Eddie Izzard in our early days, and he said, 'I'm thinking of talking about being a transvestite on stage. You should talk about being a Catholic.' I said, 'I think audiences will be more accepting of you being a transvestite than me being a Catholic.'
Games are quite shy at talking about different things. Most are about facing hordes of monsters or saving the world or whatever; few games actually talk about the real world, about real people, about their relationship, their emotions, their feelings.
Every time you hear anyone talk about the Caribbean, whether it's Caribbeans themselves or people outside, there's always talk about women's bodies. Talk about this voluptuousness, this kind of stereotype of what a Caribbean person is. And I think these are stereotypes that even people inside the culture, we actually sometimes claim them and we're very proud.
There are very few things that I don't talk about - even my relationships.
It also happens that I don't actually teach about the stuff I make things about. I'm not a film history teacher. In that way, it's also a release. But the ideas that I talk about in the movie are the same I talk about in school.
[Carrie Fisher] could talk about issues that very few people could. She could make her bipolar disorder both real and entertaining. Carrie deserves a lot of credit for giving voice to traumas that few people feel comfortable talking about.
People talk about the pain of writing, but very few people talk about the pleasure and satisfaction.
I think the key to being a journalist is getting your subject to feel comfortable enough to talk about stuff they want to talk about and the stuff they like and don't like, and still feel comfortable about it.
I can talk endlessly about characters, or why someone did this or that, and what that dynamic and interaction is. I really love it, and I think that actors really respond positively to the fact that I like to talk about that stuff, because I'm not sure that all directors do.
When you have friends in the industry, you're always expected to talk about work. Seldom do you talk about stuff outside work with friends in the industry. Therefore, I don't have many actor friends, but I find lot of brotherly warmth from a few.
Most of my songs have names of people I've met or are dear to me. There are people who have privacy issues and about people knowing about their private life. But for me, I like to include few special names and few details about them to make the song very special to me.
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