A Quote by Tom Lehrer

I wasn't really a performer by temperament. — © Tom Lehrer
I wasn't really a performer by temperament.
I don't have the temperament of a performer, and I certainly couldn't do it every night.
I didn't want to admit that I was a performer. A performer meant spotlights - a performer had connotations of theater. I would have preferred agent to performer.
I have one of the great temperaments. I have a winning temperament. Hillary Clinton has a bad temperament. She's weak. We need a strong temperament.
Temperament is fixed, set. The skull, followed by the temperament: the two hardest parts of the body. Follow your temperament. It is not a philosophy, It is a rule, like the Rule of St Benedict.
It's great to watch someone get the most out of what they can do, whether they're a beautiful performer or just a really gritty performer. It's something to behold.
There's a great deal of difference between temperament and temper. Temperament is something you welcome creatively, for it is based on sensitivity, empathy, awareness ... but a bad temper takes too much out of you and doesn't really accomplish anything.
It's always been impressive to me when someone can really do what they want onstage. The audience has confidence in the performer and the performer has confidence in the crowd.
Temperament is something that is an integral part of the artist. Not temper, temperament. There is a vast difference.
Ultimately ideas come out of a temperament or a sensibility, they are a crystallization or a precipitation of temperament.
Opposites attract, and I think temperament is so fundamental that you end up craving someone of the opposite temperament to complete you.
I happen to be unfortunately temperamental. No, my temperament is also, what you describe to rainfalls, the will of society, to combat a number of contradictions. That happens to be my creative temperament.
Music is probably the only place I get energy from. Music and maybe watching a really tremendous performer, watching a terrific performer like Jagger or watching a great movie.
Temperament is the primary requisite for the critic - a temperament exquisitely susceptible to beauty, and to the various impressions that beauty gives us.
A temperament capable of receiving, through an imaginative medium, and under imaginative conditions, new and beautiful impressions, is the only temperament that can appreciate a work of art.
The most important quality for an investor is temperament, not intellect. You need a temperament that neither derives great pleasure from being with the crowd or against the crowd.
Some persons are exaggerators by temperament. They do not mean untruth, but their feelings are strong, and their imaginations vivid, so that their statements are largely discounted by those of calm judgment and cooler temperament. They do not realize that we always weaken what we exaggerate.
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