A Quote by Tom Mison
The really good thing about 'Sleepy Hollow' is you have no idea who's going to die when... But then equally, we showed in the pilot several people can come back to life, so you have no idea who's going to come back. Death means very little in our Sleepy Hollow, so expect more surprise deaths and more surprise resurrections.
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'Sleepy Hollow' was really the first thing I'd done that gave me the opportunity in the modern age to build an authentic relationship with an audience that was a lot more like what happens in theater.
The first chance I had to go to Japan, which was in the early nineties, I went to a Noh play. I thought, 'This is very, very slow.' I noticed lots of people falling asleep. I didn't really know what was going on; I was getting a little sleepy myself. Then the more I studied it, the more fascinated I got.
If you come on the set of 'Sleepy Hollow,' and you go, 'So, is this a 'Once Upon a Time' spinoff?' That's right when we start slappin' people. It's right then. Now if you came on the set, and you were like, 'I like this show. It kinda reminds me of 'Supernatural,'' that gets you a high five.
Tim Burton's 'Sleepy Hollow' has got to be the most gorgeous, sumptuous, painterly movie ever made about multiple decapitations.
We were such fans of Sleepy Hollow, in all of its iterations - growing up with the Disney show, and then Tim Burton's and, obviously, the most important being Washington Irving's short story. It evokes and invokes a very specific feeling and tone.
I still get stage fright every time. I also feel very, very sleepy about a minute before we go on. Like I feel like I'm going to fall asleep. I can't explain it. It's sort of like, "Where's the energy going to come from to play this show?" Then all of a sudden you step up and there it is, it's like it's waiting for you.
Sleepy Hollow had a lot of action in it, even though it was a fairy-tale movie.
The frightening and most difficult thing about being what somebody calls a creative person is that you have absolutely no idea where any of your thoughts come from, really. And especially, you don't have any idea about where they're going to come from tomorrow.
Right now, I've really started to just go out there and showcase my full ability, but it's going to be a surprise. That's why you don't see me on social media right now posting videos of me shooting and everything: because I want it to be special when I come back. I want to have people guessing, so it's going to be good.
I like making series, for a couple reasons. One, the repetition of routine is very healthy because I can get a little crazy; I want to be making things all the time. And if I publish something every week, I don't have to put every idea I have into one piece. It's more like, here's one idea: execute it, see it through, think about it, do it the best you can. And then there are going to be ten more ideas that come while you're making that, because creativity works that way.
Nothing bores me more than books where you read two pages and you know exactly how it's going to come out. I want twists and turns that surprise me, characters that have a difficult time and that I don't know if they're going to live or die.
My daughter loves to be surprised. And she loves to surprise me. She loves to create games where either one or both of us are surprised, or go away, and then come back. And she loves to play them over and over, and over again. The combo is familiar. Go away. Come back. Surprise! She is only two. I better get used to this.
I don't think in genres. Once I get a germ of an idea I wait for it to die! And if it refuses to die and keeps coming back, I start thinking more about it. Then come the world and the characters. I wait to get bored and if I don't get bored- then I start building on them.
Scary movies are my favorite. My kids love Hocus Pocus. I'm a big fan of Sleepy Hollow with Johnny Depp and Freddy Krueger.
When I was 14, 15, 16, I was wearing 'Edward Scissorhands' and 'Nightmare before Christmas' stuff. I saw 'Sleepy Hollow' a dozen times.
Unless we are able to commit to a permanent growing settlement [on Mars], then I don't think just going there with humans and coming back is worth doing. The expense of planning to come back is like the people who left Europe to come to America and then to turn around and go back to Europe, it really doesn't make any sense at all.
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