A Quote by Tom Morello

Music, I think, is best when it honestly explores personal demons, and it stirs around in the silt of the psyche to find out what's really there. — © Tom Morello
Music, I think, is best when it honestly explores personal demons, and it stirs around in the silt of the psyche to find out what's really there.
We shall probably get nearest to the truth if we think of the conscious and personal psyche as resting upon the broad basis of an inherited and universal psychic disposition which is as such unconscious, and that our personal psyche bears the same relation to the collective psyche as the individual to society.
This one's like that because it's about these things that I think weigh heavily on me in terms of my own failings and the things that I worry about and my personal demons. Is the sum of my personal demons greater than the things that I like about myself? Is this moment - because it's a particulary high tension, scary moment for all of us in terms of the global climate - going to bring out the best or the worst in us?
I really like the idea of modesty. By the time I got into music, I was already wearing the scarf all the time, and it's really personal to me, my Muslim beliefs, so I decided to keep it and find a way to work around it. I don't see it as a restriction or limitation - I can still be me and get into music and be an entertainer.
Some people spend so much time hunting treasure that they fail to see it all around them. It's like sifting through gold to find the silt.
I think style is both something that you have naturally and something you need to study. The most important thing is to find your personal style, your personal difference and choose things that suit you best and bring out your personal attributes.
I sometimes like to think of God as a great symphony and the various spiritual paths as instruments in an orchestra. The gift that you have is like music waiting to be played. You need only to find the instrument that will best bring it out. You alone can never play all the instruments, and your music might not find voice in all the instruments. All you can do is find the instrument that suits you best, play it as well as you can, and add your music to the great symphony of divine creation.
'Al Green Explores Your Mind' is really kind of a very personal record for me.
You're not just making music for your personal use no more, just making music for your homies around you; you're making music for people around the world. Kids in Alaska - like, you're making music for everybody. When I make music, I just think on a larger scale.
I think I need the demons in order to write, but the demons have gone. It bothers me a lot. I've tried and tried, but I just can't seem to find a melody.
I think the best privilege that I have in terms of having them as my parents was not just the doors that opened, but, I think, the stability to be graceful in the face of rejection, which is something that actors get every single day, and knowing it's not personal and not having that be part of your psyche.
Romantic music really stirs my soul. And, of course, I love Chinese music; it makes me feel closer to home.
Romantic music really stirs my soul. And, of course, I love Chinese music it makes me feel closer to home.
I don't follow trends - it's more of an instinct thing. Honestly, I'm kind of my own worst client. I wake up and go, "I have nothing to wear!" But that's what makes it interesting. I ask, what would make me feel good? I think it's a constant challenge because clothes are so personal. For me, my clothes are related to my mood. If I feel like I'm not wearing the right thing, I don't feel confident. I think it's in everybody's psyche.
I think I'm really part of a whole generational movement in a way. I think a lot of other people since and during this time have gotten interested in writing what we can still call experimental music. It's not commercial music. And it's really a concert music, but a concert music for our time. And wanting to find the audience, because we've discovered the audience is really there. Those became really clear with Einstein on the Beach.
I do my best to make music spontaneously. It's very personal in a way. It's really a direct connection between me and anyone who's watching. I don't want to be in my own bubble. I'm reaching out.
All the changes you go through personally really affect the music you make, and my music on the one hand is personal and the other it comes from my lived experience and the interaction with the world around me.
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