A Quote by Tom Noddy

I ended up living on Crete for eight months. I picked olives and did house painting and got broke. — © Tom Noddy
I ended up living on Crete for eight months. I picked olives and did house painting and got broke.
I was basically a broke student, and I moved to Asia and was making some money to go back to school. One thing led to another, and I was supposed to stay two months, but it ended up being eight years. It was the best mistake I ever made.
I broke both legs, which is why I ended up lying in bed for three months. It was six months before I could walk on one leg.
Too many people try to do the new job, new spouse, new house, new car thing in 18 months. That's a good way to end up broke. We've got to resist the temptation to catch up with our parents in 18 months. Slow down. You have the rest of your life to play catch up. After all, it's just stuff.
I went into rehab December 14th, 1996, and got out eight months later? Then I went into a sober living place where I stayed for three months. I've been clean for a good year and a half.
All olives ripen green, then change to rose, shades of purple, and black. According to region, this process takes about four months and, once the fruits are ripe, they can be picked at any stage.
There were songs I would write about breaking up with somebody before I broke up with them, months and months before I broke up with them.
Many of the articles printed over the last few months have ended up painting a picture of me that is more than a little distorted.
I've been writing music since I was about eight. I would write sporadically. I wrote a lot of music in high school. I guess the oldest song on the record ("I Thought I Saw Your Face") is about eight years old. It's the old "I had my whole life to write my first album and six months to write the second one." I did, to some degree, but actually, a lot of the songs that ended up on the record, I wrote really recently. So it varies.
Olives changed the direction of my life. My husband Michel and I found a ruined farm with an olive grove near Cannes. I became fascinated by olives and found myself travelling around the Mediterranean for 17 months, researching two books on the subject.
I think it was somewhere around age 3 when I fell down the stairs at my house, and I got up and did a Jerry Lewis impression and got a big laugh. And I thought, "Oooh, I like that. I think I need to do this for a living!"
The '20s ended in an era of extravagance, sort of like the one we're in now. There was a big crash, but then the country picked itself up again, and we had some great years. Those were the days when American believed in itself. I was happy and proud to be painting it.
I had visited New York at age 12, and I loved the big buildings and the swarms of people. At 23, I decided to try it. I was going to go for six months, and I ended up living there for 18 years before I moved to California, so I am living the American Dream.
We dated in our early 20s, when we were working at the same newspaper. We broke up, got back together and broke up again. I wanted to get married and have kids, but he wasn't ready. So I married someone else, had my daughters and the marriage ended ... and there was Bill. He'd never gotten married and was finally, finally ready. We discovered that we were still each other's favorite people to talk to.
I grew up in a house with a mother who was a teacher and a Freedom Rider - very left-wing Democrats living in a heterogeneous working-class neighborhood. I picked up a lot of those values there, and I brought them with me when I showed up in Hollywood.
I did eight months of training for 'Wimbledon,' and then, by the time I finished the movie another four months later, I was like, 'That's me. I'm done with tennis.'
When Pixies broke up in 1993, I gave up the drums for the longest time. I hadn't been doing a lot, but I ended up attending a magic convention that initially got me interested. I took classes, bought videos, and practiced relentlessly. I began performing at parties and soon realized that developing an on-stage routine is often tougher than being a musician. I focused my act on magic that incorporated as much science as it did entertainment, which was really satisfying for me.
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