A Quote by Tom Noonan
I tend to be very private. It's easier for me. When you're acting, you're very susceptible to comments that somebody makes, so if they know something is going to happen on the show, and they say something, it can actually throw you off. So I tend to not share things with anybody.
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Very rarely have I worked with a director where we've been at odds. And by the time you've actually talked to somebody and you have the job, there's something that they see in you that they want you to bring to the character. And the best director says very little to you, acting-wise. They usually just say, "Okay, here's the shot." It's their job to do all that stuff, and your job's to do the acting. So it's very rare that somebody will say, "Oh, no. I conceived this very differently".
I have the good fortune of working with two brothers who are very accomplished, incredibly smart, and very capable. So thankfully there is not an issue in that regard where somebody isn't pulling their own weight. We collaborate all the time. We tend to take different paths, but we tend to reach very similar conclusions. It's actually great because it allows us to be much more creative in the process of getting things done.
If somebody takes the parking place you were waiting for, I tend to kind of let it roll off my back. Maybe I'm harboring a lot of something and it will all explode somewhere down the road, but I tend to just let it slide off my back.
Nashville is a lot like my hometown. You learn so quickly once someone hears something about you or sees something, everybody talks about it at dinner. They know your business, so people tend to be more private and not to throw themselves into everyone's faces.
Synergies are something that the CEO basically has to force to happen, because organizations are, generally, like bodies in motion that tend to stay in motion. It's very hard to get big organizations to change. And it takes really a very powerful mandate to force things to happen.
It's far easier to write why something is terrible than why it's good. If you're reviewing a film and you decide "This is a movie I don't like," basically you can take every element of the film and find the obvious flaw, or argue that it seems ridiculous, or like a parody of itself, or that it's not as good as something similar that was done in a previous film. What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive.
I know I have a caption that I'm going to use when somebody tells me something I've never heard before. It's very rarely a thought, a philosophy, when somebody says, 'Oh, I don't like cheese' or 'Oh, I think the government should be overthrown,' because so many people share these thoughts. But what people don't share is stories.
Every comedian is furious. Age makes me angry. I'm unhappy at not being able to open packages anymore. I'm angry that libraries have gone. I hate children on planes. I'm very shallow, so they tend to be little things. To be honest, I think I was probably angry the day I was born, you know, about diapers or something.
I have been a fan of movies from a very young age, and somehow, the magic of that - every single time I hear something or read something that could be made into a wonderful film or something somebody is asking me to be a part of - that connects. It just makes me feel like I'm going to be part of something magical again.
I tend not to write on guitar very often. I tend to start off with keyboards.
Anytime I get an acting role, I find a way to learn about something new, or heal a part of my life that I didn't know was hurting. I think anybody could benefit from taking acting classes. You don't necessarily have to want to be an actor or pursue the acting business. But just taking an acting class, you're going to learn so much about life and what it's like to walk in somebody else's shoes. It helps you stop judging people. It does something to you where you become empathetic to people's plights and journeys, and it makes you a little more understanding and caring.
I'm the one who has to have everybody throw rocks at me all the time, so at least if they're going to throw rocks at me, they're going to throw rocks at me for something I love rather than something I think is not very good, or at least something I think is not finished.
I don't love horror movies with something surreal happening. That doesn't work for me. What's terrifying is something that could actually happen to me and what I would do. I don't know how to throw a punch, and I've never had to do it.
I'm very good at having time off. I tend to take whole years off - I had 1994 and 1997 off. I find it very easy; I just love pottering around doing normal things.
What's hard to do is describe why you like something. Because ultimately, the reason things move people is very amorphous. You can be cerebral about things you hate, but most of the things you like tend to be very emotive.
I think I was always writing books that had very clear scenic structures. I do tend to write in scenes. I do tend to have a fair amount of dialogue. And I do tend to use stories that don't sprawl all over the place, that have a very sharp focus in terms of how they unfold in time.
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