A Quote by Tom Payne

I was in this motorcade, and I was like, I'm with Michael Mann and Nick Nolte and I'm in a TV show. Oh, my God!' — © Tom Payne
I was in this motorcade, and I was like, I'm with Michael Mann and Nick Nolte and I'm in a TV show. Oh, my God!'
I just remember Kathy Bates getting on the stage and "The Oscar goes to Anthony Hopkins." I looked around, because I really thought Nick Nolte would get it. I really thought Nick would get it. I was very surprised. It was neck and neck with Nick Nolte and myself. So I really was expecting that to happen, and I went in there without any expectations.
I'm a great fan of Michael Mann and when he asked to see me I couldn't believe it. I was very happy. I met him and I read this beautiful script. I didn't know anything about Dillinger. I fell in love with the movie and Michael Mann.
Tony Scott, Walter Hill, Michael Mann - I'm a big action fan, full stop. And even though Michael Mann is the more celebrated film-maker than Tony Scott, I love them both in different ways.
We set ourselves up for it with the reality show. You've seen me and Nick go at each other's throats on TV. They've got all these people giving their opinions on our marriage and how we handle it when they are watching an edited TV show.
'Infernal Affairs' uses a vibrating terseness usually found in the writer and director Michael Mann's work. Thematically, this film deploys the techniques Mr. Mann brought to bear on 'Heat,' right down to using a similar cold-blooded electronic score.
'Ali' is a breakthrough for its director, Michael Mann. The film, based on the life of Muhammad Ali, is Mr. Mann's first movie with feeling; his overwhelming love of its subject will turn audiences into exuberant, thrilled fight crowds.
The very first job I did, a Barbie commercial when I was eight or nine, that was like 'Oh my God.' Because when you're watching things on TV, you think it's like a fantasy. But then to actually do it and then see yourself, it's like 'Oh my God.'
There was a day when doing TV was like, oh my God, the end of your career. Now it's just like, we all want to do TV; we all want to do great TV.
Michael [Douglas] was just leaving the TV series The Streets of San Francisco and he said, 'Dad, let me try it.' I thought, 'Well, if I couldn't make it...' So, I gave it to him and he got the money, the director and the cast. The biggest disappointment for me, I always wanted to play McMurphy. They got a young actor, Jack Nicholson. I thought, 'Oh God. He will be terrible.' Then I saw the picture and, of course, he was great in it! That was my biggest disappointment that turned out to be one of the things I'm most proud of because my son Michael did it. I couldn't do it, but Michael did it.
I was in California the first time I heard Michael Jackson wanted to record with me. I was, like, 'Nah, no way, he's too big, it can't be true.' Then I got a call from Michael's people at my hotel telling me he was interested. But I still wasn't believing it - I thought they were setting me up for a TV practical jokes show.
One weekend, I was driving and in the car next to me on the freeway was a guy who looked like a very conservative Nick Frost, with a short haircut, these horn-rimmed glasses, and he was wearing a jacket and tie. I thought, Oh, there's Nick if he were an accountant in the '50s or '60s.
What are you? (Nick) Completely perplexed. You remember everything that happened. (Acheron) Yeah. Duh. Not like you’re going to forget the killer zombie stalkers and psyched-out kitchen staff. What kind of freak show is this? (Nick)
Claire. Wake up.” She blinked and realized that her head was on Shane’s shoulder, and Michael was nowhere to be seen. Her first thought was, Oh my God, am I drooling? Her second was that she hadn’t realized she was so close to him, snuggled in. Her third was that although Michael’s part of the couch was empty, Shane hadn’t moved away. And he was watching her with warm, friendly eyes. Oh. Oh, wow, that was nice.
Michael Mann's always been one of my heroes.
The world wants to define me by my mammary glands and melanin. It is just fascinating that Michael Mann has never been asked what it is like to be a white male filmmaker.
I was on some TV shows with Lady Gaga the other week, and you could see the difference in reaction between her fans and my fans outside. She comes out, and she looks like a star, and the reaction is just tears, crying, people going, 'Oh my God, Oh my God.' My fans are like: 'Alright, Ed.'
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