A Quote by Tom Payne
In my teenage years I had a very anti-cruelty orientation and all that kind of stuff, so having spent a long time at the track and around the horses and around the people that are there, I realized the saddest thing that can happen is if anything happens to a horse.
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I used to ride horses and I remember one day I was working with a horse and we were having it jump, you know? There was a competition and so we were doing a test run and the horse fell on top of my body. I was a kid, like 7 years old. It took them a long time to take the horse off of my body after it had fallen.
Having people around you that are honest with you, and having a team around you that can actually track and communicate where things are working and where they're not working, is really an invaluable asset to an artist's career. I just see it time and again, people who have no clue about that stuff. It's frustrating, and I see the frustration for them. It's a weird thing being an artist, trying to navigate the music business with little to no help.
I realized horses have personality when I bought one and I had one, who's now out to pasture, a horse named Drifter. Before that, I was a city boy. Horses, I used to go out to the LaBagh Woods and ride at a stable once every two years or something; no idea about horses. Dogs, I knew, had personalities, but not horses.
There's an ancient bond that still exists today between horses and humans, it is even there with people that have never ridden a horse or been around horses. The horse is what settled the entire west. If it weren’t for the horse they’d probably be only a couple hundred miles from where they started. A lot of people don’t realize how much they owe the horse because it’s not so much a part of our culture right now as it used to be.
I'm very comfortable with horses. I love horses and I have grown up around farm-hands. There's something very universal about anyone who's on horseback night and day. When you get off that horse, you are still walking as if there's still a horse between your legs.
I've got like a weird bond with horses. I'm kind of a horse whisperer, I don't know what it is. I'm not great on a horse. I'm getting better, but I'm not brilliant. So yeah, I've spent a lot of time with horses. They're great creatures, I love them. I do love riding them when I get the chance to.
I spent a lot of time on Diane Arbus film, not only writing it, but running around talking through various production issues. All this crud, and then it didn't happen. There's a lot of time-wasting stuff that happens in life with movies.
Most races are claiming races. For the lower-caliber horses, it's a way the track has of forcing people to run their horses at approximately the price at which they would not mind having the horse bought.
With horses, familiarity breeds comfort. If you haven't been around horses for a while (or ever), the best thing to do is to go to the racetrack, a horse show, a rodeo, or some other horsey activity, and watch the horses. Familiarize yourself with the way they move and behave themselves.
The corncob was the central object of my life. My father was a horse handler, first trotting and pacing horses, then coach horses, then work horses, finally saddle horses. I grew up around, on, and under horses, fed them, shoveled their manure, emptied the mangers of corncobs.
A long time ago, there was no such thing as school, and children spent their days learning a trade, a phrase which here means "standing around doing tedious tasks under the instruction of a bossy adult." In time, however, people realized that the children could be allowed to sit, and the first school was invented.
Technological revolutions are very hard to predict. My favourite example is someone in 1850 taking care of horses as a farrier. They would have said, "Look, horses have been part of human existence for 5,000 years. We are horse people. It's permanent." But all of a sudden, the internal combustion engine comes along and, with it, oil fields and automobiles, which basically replace the horse completely. So we often have these long periods of stability and then a sudden inflection point.
I don't consider Los Angeles home anymore; ultimately, it was pretty negative, but I did spend my formative years in the Valley and all around L.A. proper. Through my teenage years and into my young adulthood, up until the age of 30, I spent a good amount of time there.
I wasn't as confident and creative in the beginning as I am now, so it was all very safe. But I was building my work, and it took me a long time. For a good five or six years I was just kind of bobbing around, doing everything and anything.
I jumped horses over big dangerous fences in competition. And got very, very good at it, at quite a high level. And I realized long since that, yeah, it's the same thing that appeals to me about it. You can't think about anything else, in either case; jumping horses in competition, show jumping, or flying an airplane, for whatever purpose.
I'm kind of a horse whisperer; I don't know what it is. I'm not great on a horse. I'm getting better, but I'm not brilliant. So yeah, I've spent a lot of time with horses. They're great creatures; I love them. I do love riding them when I get the chance to.
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