A Quote by Tom Perrotta
Safe from the Neighbors is a novel of unusual richness and depth, one that's as wise about the small shocks within a marriage as it is about the troubled history of Mississippi. Steve Yarbrough is a formidably talented novelist, shuttling between the past and present with a grace that feels effortless.
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Steve Yarbrough is a masterful storyteller-one of our finest-and Safe from the Neighbors is a masterpiece. . . . This is a spellbinding, powerful novel.
Steve Yarbrough's Safe from the Neighbors will take your breath away. Ambitious, funny, sad, smart, and beautifully crafted, it's everything a novel should be.
Steve Yarbrough is a writer of many gifts, but what makes Safe from the Neighbors such a magnificent achievement is its moral complexity. . . . Safe from the Neighbors does what only the best novels can do; after reading it, we can never see the world, or ourselves, in quite the same way.
Very few writers understand the complex history and maddening social order of the Mississippi Delta. For Steve Yarbrough, though, it's home turf. He is wickedly observant, funny, cynical, evocative, and he possesses a gift that cannot be taught: he can tell a story.
If you write a book set in the past about something that happened east of the Mississippi, it's a 'historical novel.' If you write about something that took place west of the Mississippi, it's a 'Western'- and somehow regarded as a lesser work. I write historical novels about the frontier.
Marriage is an effort to legalize love. It is out of fear. It is thinking about the future, about the tomorrows. Man always thinks of the past and the future, and because of this constant thinking about past and future, he destroys the present. And the present is the only reality there is. One has to live in the present. The past has to die and has to be allowed to die.
It is distrust of God to be troubled about what is to come; impatience against God to be troubled with what is present; and anger at God to be troubled for what is past.
The infinite reservoir of future grace is flowing back through the present into the ever-growing pool of past grace. The inexhaustible reservoir is invisible except through the promises. But the ever-enlarging pool of past grace is visible; and God means for the certainty and beauty and depth to strengthen our faith in future grace.
History is important because it teaches us about past. And by learning about the past, ypu come to understand the present, so that you may make educated decisions about the future.
We human beings have enormous difficulty in focusing on the present; we always thinking about what we did, about how we could have done it better.... or else we think about the future, about what we're going to do.... But at this precise moment, you also realize that you can change your future by bringing the past into the present. Past and future only exist in our mind. The present moment, though, is outside of time, it's Eternity.... It isn't what you did in the past the will affect the present. It's what you do in the present that will redeem the past and thereby change the future.
A woman journalist in England asked me why Americans usually wrote about their childhood and a past that happened only in imagination, why they never wrote about the present. This bothered me until I realized why - that a novelist wants to know how it comes out, that he can't be omnipotent writing a book about the present, particularly this one.
History always constitutes the relation between a present and its past. Consequently fear of the present leads to mystification of the past
If you write a book about a bygone period that lies east of the Mississippi River, then it's a historical novel. If it's west of the Mississippi, it's a western, a different category. There's no sense to it.
Black Box is not a statement about injustice committed against Sephardi Oriental Jews or about the extremism of religious Jews or the lack of imagination of the old Israeli elites. It's a human story, in my view, first and foremost about a mystical communion between enemies. This is the inner story of the novel. This is my business as a novelist. It is not about positions and ideas.
You can learn as much about the history from reading about the present as you can vice versa, that is learning about the present through history, which is what I do for a living.
Today’s events are tomorrow’s history, yet events seen by the naked eye lack the depth and breadth of human struggles, triumphs and suffering. Writing history is writing the soul of the past… so that the present generation may learn from past mistakes, be inspired by their ancestor’s sacrifices, and take responsibility for the future.
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