A Quote by Tom Perrotta

When I was writing 'The Abstinence Teacher,' I really tried to immerse myself in contemporary American evangelical culture. — © Tom Perrotta
When I was writing 'The Abstinence Teacher,' I really tried to immerse myself in contemporary American evangelical culture.
I wonder what it means about American literary culture and its transmission when I consider the number of American poets who earn their living teaching creative writing in universities. I've ended up doing that myself.
There can be, therefore, no true education without moral culture, and no true moral culture without Christianity. The very power of the teacher in the school-room is either moral or it is a degrading force. But he can show the child no other moral basis for it than the Bible. Hence my argument is as perfect as clear. The teacher must be Christian. But the American Commonwealth has promised to have no religious character. Then it cannot be teacher.
I'm against abstinence programs because I really consider "abstinence only" child abuse.
The contemporary notion that it's somehow inherently bad for a film to be 'talky' has done grave damage to the culture of American movie-making, enough so that a growing number of people, myself among them, have all but given up on Hollywood.
We do not have an American culture. We have a white American culture and a black American culture. So when those two groups try to get together, [it's] very difficult because they each feel like they have the right to their culture.
I really tried to go for that sound of the '60s pop melodies but I'm living in the present so that makes it contemporary. I like to pretend I'm outside of myself and that is what the recordings and the process helped me to do.
Instead of kids just hearing about beads and baskets and fringe, and about what 'was' and 'were,' we present Native American culture as a living contemporary culture.
That [Louisiana culture] was all very new to me. I read books and watched documentaries, just trying to immerse myself.
When I'm writing, I'm trying to immerse myself in the chaos of an emotional experience, rather than separate myself from it and look back at it from a distance with clarity and tell it as a story. Because that's how life is lived, you know?
The dominant mood of contemporary American culture is the self-celebration of the peasantry.
I don't really identify with America, I don't really feel like an American or part of the American experience, and I don't really feel like a member of the human race, to tell you the truth. I know I am, but I really don't. All the definitions are there, but I don't really feel a part of it. I think I have found a detached point of view, an ideal emotional detachment from the American experience and culture and the human experience and culture and human choices.
For most of the movies that I've done, we've shot in a contemporary house, in contemporary clothes, speaking in a contemporary way. So, I really enjoy that. It really helps.
Teenagers, especially girl ones, seem like the perfect canary-in-the-coal-mine characters to me. They capture American culture and its perversion, its hypocrisy - how absorbed we are with youth and beauty and sexualized imagery, for instance, while preaching abstinence and modesty.
I like to work all the time and really immerse myself in the project.
I tried to do it all myself: be mommy and camp counselor and art teacher and prereading specialist (and somehow, in my off-hours, to do my own work). I tried my absolute best. And like so many of the moms around me, I started to go a little crazy.
Vancouver is an amazing city and luckily, growing up in the Seattle area, I was able to immerse myself into the culture at a young age, traveling back and forth across the border for skating competitions as a youngster.
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