A Quote by Tom Peters

The top athletes are consummate pros who work obsessively at their craft. Approach yours the same way. — © Tom Peters
The top athletes are consummate pros who work obsessively at their craft. Approach yours the same way.
When you're young, you develop ways to win, and you think they will always work, but then you get to the top, competing against the other top athletes, and sometimes things don't work.
Certain things should be yours to have when you work your way to the top.
On television, I have watched countless athletes from different countries, sports and Olympics stand proudly at the top of the podium and shed tears. They symbolized the Olympics for me because Olympic medals represent all of the hard work and sacrifices made by the athletes as well as the people who helped them reach the top of their sports.
I like to think of my work and the way people approach it in the same way people approach a Lichtenstein painting. You can write a one-hundred-page dissertation about why he used comics. Or it could be like, 'This is cute!'
Sometimes you feel some artists are doing the same thing that you're doing but in a different field. But they have the same approach. Their method of research and gathering data is the same as yours.
It's ridiculous having the pros in an amateur sport, but at the same time, there's a lot of pros who are going to struggle over three rounds.
My approach to 'Eastenders' is the same as my approach to film and the same approach to theatre. Whatever I do, I use the same skills and tools.
The work element comes into it as well - how much you train and how much work you put into your craft, in the same way a carpenter would perhaps work under a great teacher, etc.
I love to work in all sorts of different situations. I think you learn a lot, which is why I try not to approach something the same way, because it might not be appropriate, and then you can get lazy just out of boredom. So I love any approach.
In America, where writers are preoccupied with the craft of writing, I always try to introduce this concept of the badly written good story. Turning the hierarchy around and putting passion on top and not craft, because when you just focus on craft, you can write something that is very sterile.
If you're entering into fashion in an original way, you have to know your craft, and you have to know your history. You have to be obsessively dedicated. You have to be relentless about making it happen. It doesn't take a bank. It takes passion, love, timing, and luck.
Art is craft: all art is always and essentially a work of craft: but in the true work of art, before the craft and after it, is some essential durable core of being, which is what the craft works on, and shows, and sets free. The statue in the stone. How does the artist find that, see it, before it's visible? That is a real question.
I think my approach to a creative career was very entrepreneurial. Even though I'm a writer, I've always viewed my work much in the same way as a startup or marketer might view their work.
So the English approach to show business and their work is more - and this is a big generalization, I hasten to say - but it's more, they work on it as a craft job.
I don't approach my acting as just saying a few lines and then going off-screen. It's a craft. I really invest in trying to make it a craft.
I like hearing other writers just about the way they approach writing. It gives me energy for my own work. It's weird; I'm always taking notes about fiction when I'm listening to people talk about craft.
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