A Quote by Tom Petty
I never could have dreamed that her heart was so wicked, but I keep coming back because it's so hard to kick it.
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In her heart she longed for this man, dreamed of a life that could never be.
I'm someone who came to Paris as a teenager, and I dreamed of coming back to Paris as a visitor. I never dreamed of having a job at the biggest luxury house in Paris and, you know, 15 odd years later, I'm still here.
Obsession is the single most wasteful human activity, because with an obsession you keep coming back and back and back to the same question and never get an answer.
Anyone who knew Violet well could tell she was thinking hard, because her long hair was tied up in a ribbon to keep it out of her eyes. Violet had a real knack for inventing and building strange devices, so her brain was often filled with images of pulleys, levers, and gears, and she never wanted to be distracted by something as trivial as her hair.
I never dreamed of being Shakespeare or Goethe, and I never expected to hold the great mirror of truth up before the world; I dreamed only of being a little pocket mirror, the sort that a woman can carry in her purse; one that reflects small blemishes, and some great beauties, when held close enough to the heart.
Coming close to what you thought you wanted can help you attain what you never dreamed you could.
I looked at her. my lovely, tall mother with her pretty coil of hair and her hard, bitter mouth. Her veins were never open. Her heart never leapt out to flop helplessly on the lawn. She never melted into puddles. She was normal. Always. At any cost.
No, that's because there are more interesting things to do." Her grandmother looked at her sharply. "Like cutting into dead bodies" Carmeryn swallowed back her irration. "Yeah-the live one kick too much.
THIRD WATCHER Let her speak. Don't interrupt. She knows words that mermaids taught her...I'm falling asleep in order to hear her...Go on, sister, go on...My heart aches because I wasn't you when you dreamed at the seashore.
She was nervous about the future; it made her indelicate. She was one of the most unimportantly wicked women of her time --because she could not let her time alone, and yet could never be a part of it. She wanted to be the reason for everything and so was the cause of nothing. She had the fluency of tongue and action meted out by divine providence to those who cannot think for themselves. She was the master of the over-sweet phrase, the over-tight embrace.
I stared into her eyes, wide under the thick fringe of lashes, and yearned for sleep. Not for oblivion, as I had before, not to escape boredom, but because I wanted to *dream*. Maybe, if I could be unconscious, if I could dream, I could live for a few hours in a world where she and I could be together. She dreamed of me. I wanted to dream of her.
One night when my longing for her was like a fire burning out of control in my heart and my head, I wrote her a letter that just seemed to go on and on. I poured out my whole heart in it, never looking back to see what I'd said because I was afraid cowardice would make me stop. I didn't stop, and when a voice in my head clamored that it would be madness to mail such a letter, that I would be giving her my naked heart to hold in her hand, I ignored it with a child's breathless disregard of the consequences.
Boxing? She's like a woman. If you've never wooed her, never won her, you always look back wondering what would have happened had you had her. If you caught her and had a long relationship, you don't really look back. Do I miss her? No, because I've had her, I've moved on.
I had so many other things I could fall back on as an entrepreneur (with multiple businesses). When I finally was true to myself and what I wanted to do - and acting was it - there was nothing else I could think of. I thought "If I fail, I'm falling hard (because) I don't have anything else to fall back on. Am I going to accept that?"...I never looked back. I never (let myself) put it in my mind to fail.
I never get tired of looking at her [Catherine Keener] and it always surprises me, despite how many hours of film I've shot on that face. She's fantastic. She does comedy and tragedy so equally well. She wears her feeling so on the surface for both. I try to stop myself from casting her but I just keep coming back to her. She's just so fantastic to work with.
I had never realized a woman could have to struggle to keep her hands off a man, but here I was, digging my nails into my palms, staring at the inside of my eyelids as though I could maybe see through them if I peered hard enough.
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