A Quote by Tom Petty
I'm certainly not a Robin Hood, I'm not that way. I don't want to come through, burn everybody for $200 a ticket and then they can't afford to come see me again. Plus, I just don't think it's right. I don't think we need that much money. I just do what seems like the logical thing to do.
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I just want to go out and compete. Plus the main thing is, at 55 I need a good amount of time to prepare just to make the weight cut. At 70 I can just take fights as they come and just compete as much as I want.
I think that we as a culture, not just in entertainment journalism, but in general the boundaries have become extreme. You know, all bets are off and it seems that there's not much that we consider off limits. I'm just glad that I was in it at the time when I was, which just seemed like - maybe everybody feels that way then they do a look back on their life and career. And I always think for me, my motto is 'ever forward' and I think that's the best way to live your life.
Every time we think about being happy again, it hurts to be alive.
Because it seems an inordinate thing for us to wish for.
And because we think that day will never come for us.
And that's why the only thing we can do for now...
...is just try to get through each night.
Performance is made in the editing room, and I've come to see the truth in that - the idea that they say performances are usually made in the editing room because what you film is the raw material. I think just going through the process of saying, "Which take do we use? Why is that the take we want? I want that take can you edit again, I'm not sure that's the one, I think it's this one." And just because you go through that process, I think somehow it's made me sort of more open about the [actor's] possibilities.
I think it's easier for African American and white comics to be praised than it is Latinos because they think our culture or our humor is substandard. I mean, I just don't think they want to give us credit. I just don't think that they see us as important enough to be at their level. I'm the longest-produced comedy at Warner Bros. and I don't feel special. They come over and say hello. But everybody's gonna make a lot of money and I don't feel like I'm special to them.
The only thing I can say that is not bullshit is that you do have to learn to write in a way that you would learn to play the violin. Everybody seems to think that you should be able to turn on the faucet one day and out will come the novel. I think for most people it's just practice, practice, practice, that sense of just learning your instrument until - when you have an idea on the violin, you don't have to translate it into violin-speak anymore - the language is your own. It's not something you can think your way into, or outsmart. you've just got to do it.
It's not only that I want to get things right when I'm composing but that my imagination often gets lost, and then I have to wait until I come back to the path. I think there's an internal force that makes a piece logical from beginning to end; I like to tell stories in music that are unexpected but also logical.
When you learn to make everybody happy, you will possess the golden secret of how to milk the contented voters. But do it in such a way that they won't think you want them to vote for you just because you need the money. They need the money, and besides, they can think up other reasons if they try.
We've just got to be careful - with all sports, let alone cricket - I think there's so much emphasis on doing the right thing all the time, but I think the public want to be entertained when they come to watch sport.
Be patient when it seems things are not going right and may never be right again. Accept that what is yours will come to you in the right way at just the right moment.
If you outlaw half a million people you make martyrs of them. For example, if you outlaw Robin Hood, it is all very well, but if you outlaw a whole group of people around Robin Hood, then Robin Hood and his merry men become legends.
I don't want to think results, I don't want to think positions. I just want to come in, do my job, and we'll see where we end up. I think that's the best way to look at it, because then you start focusing on the outcome rather than focusing on the work that it takes to get to that outcome.
[Childbirth] is the weirdest thing I've ever seen. It's like an 'Alien' movie. I started crying, it was so emotional ... I was there in the room but I wasn't planning on doing much. But then I see this blue pinhead come out and I think I said to the nurse, 'What the hell is that?' And then it turns into this round red thing in seconds. It's just shocking.
For my birthday, I would ask for a ticket from my mother. Just buy me a ticket to said country and I'll just find my way through. And that's what I always did. I never changed too much of that.
I think that ties into our name and the meaning behind our name, going Against the Current. We don't really want to fit in to one section. If we're able to be grouped into one category then we've become something that already exists, probably. We want all of those kids that would come out to that pizza shop to come to our show and all of those kids who know us from the radio to come to that show. We have kids that come to our show that have been coming to concerts for years, and ones that it's their first concert and they just wanted to see it. I think that's the best way to do it.
I, and others like me - trap stars - we always considered ourselves Robin Hoods: we go out and get the money. Just think, if you was in the village and you a hunter, you take pride in going out to hunt the prey and bring it back for the village to eat. In our situation, we took pride in getting money so that the hood could eat.
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