A Quote by Tom Petty
I don't treat the band like I'm above them or that they're a hired hand for me. We've never worked that way. So I'm a team player. I would be very uncomfortable having to do this alone.
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The player who is almost at the same age as my daughter... I treat all my team-mates as brothers and I treat him just like a team-mate. I embrace them all and I am always around them giving advice because this is part of my job as a team captain and friend. I don't make them feel the gap in the age because I believe this should be normal.
The British Fashion Awards are also very important because it's my hometown. But it's really a recognition of my team, and those awards give me an opportunity to thank them in a formal way. You and I have worked together enough to know that it really isn't about two people. It's a whole team. And so it's great to acknowledge that you never do anything alone.
The Tragically Hip, more so than any other band I've worked with, approach their work like a team. This might sound way too pat, but they're like a great hockey team: all five of them have their roles. They go at their shows like an athletic event; they're in it to win it, and they'll lay it out there on the proverbial ice in order to win and get the crowd on their side. You can't do that when you just throw a band together. There's a sixth sense there that makes it easy.
I really don't like watching myself and for the most part I will never watch myself. I worked with Kevin Smith on Yoga Hosers and I really respected the way that he directed. He told me, "It's very important to watch yourself." So he would direct by going, "Hey come over to the screen and watch this scene." And so it was very uncomfortable for me to have to watch myself but then he talked me through the process of that and it was very helpful.
I worked with creative people who were very demanding of me, and they helped me reach performances that I never could have gotten on my own without being pushed and having trust in them. And so I know the best way to get the best performance of an actor, and that's not to coddle them or to baby them. It's to help them; it's to push them.
I felt like a fake the whole time and it made me very, very nervous - which is why I have such great respect for actors, because I can't do what they do. I really can't do it. I'm always uncomfortable. And I'm just grateful that I recognized that this uncomfortable-ness was a sign that I shouldn't be doing it. More than not having any talent - which is clearly obvious - more than not having any talent, it was so uncomfortable and I was so insecure. And I was so frightened. And the thought of being somebody other than myself was impossible for me.
I'm very conscious about the way I treat people because I was never really taught to treat people in a respectful or kind way. I never really saw that role model, so for me, that made me just want to be the opposite of what I had and treat people the opposite of the way I saw other people treat other people.
I would certainly never walk past a player in the corridor and not speak. Why should I do that? They have to play for you so of course I would speak to them. If you want them to do everything they can for you, then you have to treat them with respect.
I've worked for everything I've ever got and it's worked out. Even if I was the Cy Young Award winner I still would not want to feel that sense of entitlement. I would still treat every game like it's my very first game and my very last game.
It is one of my biggest regrets that Niall Quinn was not here during my time... I felt he was an intelligent player. It would have been a good combination with Thierry Henry. What I like with Quinn is if you look at the player who played next to him, he always scored 40 goals because he had a hand for his head and he just put the ball where you were. He was a team player. A top-class player makes other players look good and he had that player.
I feel real ownership in this show. I feel very invested in it. I care very much about it. I don't feel any more like a hired hand, you know? It's a strange feeling - I feel personally responsible for how the story goes. What happens. What the weaknesses are. And so in a way, some of the changes gave me an opportunity to have a voice in a different way.
I started in the lowest league in baseball, and I worked my way all the way up to Triple A and then to the big leagues. I never reached the level that I thought I would reach as a player. But that's the way it goes. So then I started from the bottom as a manager, and I worked my way up to managing the Dodgers for 20 years.
I realized that I needed to be more like the shepherd than the hired hand in protecting my team.
When Complex hired me, originally I wasn't at First We Feast, I was just like a hired hand for Complex. They'd send me out to different events or they'd have people visiting the office and I'd do interviews with athletes, musicians, whoever.
Would I have been a great basketball player? No. But I think I would've been a good basketball player, one of those grinders getting eight to 10 rebounds. I would've been like Kobe and been in the gym five to seven hours a day and never missed a 10-foot jump shot. I would've been a great role player for a team.
I mean Buckingham Palace has never hired a professional public relations outfit let alone a Madison Avenue type and they would throw up their hands in horror at the very idea.
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