A Quote by Tom Petty
In the mid-'60s, AM radio, pop radio, was just this incredible thing that played all kinds of music... You could hear Frank Sinatra right into the Yardbirds. The Beatles into Dean Martin. It was this amazing thing, and I miss it, in a way, because music has become so compartmentalized now, but in those days, it was all right in one spot.
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I could turn on my radio in the morning when I was getting dressed for school and hear Frank Sinatra and Duke Ellington and Benny Goodman and think this is the music. Now that music is art. Ellington is art. At that time it was just what you heard on the radio. Cole Porter was just a guy who wrote pretty songs and Billie Holliday would sing them.
There is a man up in Philadelphia, I've known him for 50 years now, his name is Sid Mark. He does a radio program featuring Frank Sinatra music exclusively - one show for decades, "Friday with Frank," "Saturday with Sinatra," "Sunday with Sinatra," for decades. This is something that is really quite important.
You have to get past the idea that music has to be one thing. To be alive in America is to hear all kinds of music constantly: radio, records, churches, cats on the street, everywhere music. And with records, the whole history of music is open to everyone who wants to hear it.
Radio in my beginning days was going into a room for four hours, playing a bunch of music, and screaming about the artists... radio now has come out of the radio, on to the net, and on to video and on stages; it's a multiplatform thing. It's nothing I expected ever to see.
The funny thing is that the studio that we recorded in was the same studio that Frank Sinatra and Bing Crosby and Nat King Cole used to warm up their voices in before they went across the street to CBS Radio. The owner has preserved it exactly the way it was in 1925. It was such a perfect coincidence that we were doing music inspired by that stuff in that room. It was incredible.
But in those days - in the mid-'50s, early '60s - there was less than 300 radio stations that were playing country music and a lot of that wasn't full time.
When I was a kid in the late '60s and early '70s, my parents and their friends would play the records of Andy Williams, Dean Martin, Frank Sinatra, and Perry Como, music with string arrangements and men singing songs that sounded sad whether they were or not.
You certainly don't hear any country music on pop radio today. But for a while you did, and it was a lovely thing to have all the different genres of music cohabitating the Top 40 - the folk sound, The Beatles, the British sound, the Motown sounds, that kind of light country - it was a welcome relief after a few hard rock records. Everyone was sharing the airwaves, and I think it was a beautiful time for American music.
There were a lot of things I listened to, but so-called pop music never killed me, you know, the type of stuff that always seems to make it on the radio. The whole radio thing seems so... it's like they've accepted the whole "new wave" thing only because this kind of pop element came into it. In Europe they really love emotion, but here it's like, "let's stay away from it because we might cry or something".
It doesn't affect me because I look at the internet as the new radio. I look at the radio as gone. [...] Piracy is the new radio. That's how music gets around. [...] That's the radio. If you really want to hear it, let's make it available, let them hear it, let them hear the 95 percent of it.
[Frank] Sinatra, to everyone, even Tony Bennett, was such a huge influence because he had mastered not only music, but film and radio.
That's the thing: pop music has sometimes had a bad reputation for being about a lot of other stuff than the music. And I am just a lover of pop music. I love pop. I love big choruses. Dramatic choruses - they're the best thing in the world. And I do this because I love making music and performing the songs.
Call it whatever you want, whether it's hip-hop or cult music or pop music, but to me, it's all pretty disposable. I don't think that the music of Nikki Minaj or Justin Beiber is going to be played on the radio twenty-five years from now.
I remember, when I was a kid, listening to the radio and hearing 'Big Bad John' by Jimmy Dean - and it just blew me away. I used to sit there and call the radio stations and request that song. And then the Beatles were obviously out already, but I really didn't know about the Beatles.
I'm a businesswoman. I am a music lover. I like for people to like my music. When you listen to top 40 radio, you hear pop stuff. You hear rock stuff. You hear all these different influences.
I'm a businesswoman. I am a music lover. I like for people to like my music. When you listen to top 40 radio, you hear pop stuff. You hear rock stuff. You hear all these different influences
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