A Quote by Tom Reiss
I feel like history is about going and discovering the great human stories that just are every bit as relevant as anything that's going on today.
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I don't feel scared about death, I just feel so frustrated and sad to think I won't see how stories end. My children's story. My wife's. The football. All the stories going on in the world that you're going to miss the end of.
Here's the truth about telling stories with your life. It's going to sound like a great idea, and you're going to get excited about it, and then when it comes time to do the work, you're not going to want to do it. It's like that with writing books, and it's like that with life. People love to have lived a great story, but few people like the work it takes to make it happen. But joy costs pain.
For the most part, 99 percent of jazz is boring; you've heard it before. People aren't doing anything creative that's extremely modern. They tend to always be like "Let's do a tribute to Miles Davis!" All the new albums are tributes to history. It becomes too much at a certain point, it leaves us waving like "Hello? I'm alive, I'm here!" You know? So I really do feel like it needs some spice, it needs to be relevant to today's times, today's people, today's sound.
What do you think the Devil is going to look like if he's around? Nobody is going to be taken in if he has a long, red, pointy tail. No. I'm semi-serious here. He will look attractive and he will be nice and helpful and he will get a job where he influences a great God-fearing nation and he will never do an evil thing... he will just bit by little bit lower standards where they are important. Just coax along flash over substance... Just a tiny bit. And he will talk about all of us really being salesmen. And he'll get all the great women.
There was a bit of a readjustment period because I didn't know what it was going to be like. I didn't know what was happening, how it was going to be, how it was all going to feel. As time went on it was great. Everything felt good so we decided to go with it.
The Great Depression was going on, so that the station and the streets teemed with homeless people, just as they do today. The newspapers were full of stories of worker layoffs and farm foreclosures and bank failures, just as they are today. All that has changed, in my opinion, is that, thanks to television, we can hide a Great Depression. We may even be hiding a Third World War.
My fans don't feel like I hold anything back from them. They know whatever I'm going through now, they'll hear about it on a record someday. They'll hear the real story. There's a little bit of lag time. It's not as instant as going on a gossip blog. But it's much more accurate.
I don't care about the size of the roles, or how they're marketed or billed or anything like that. I would love to be a part of stories that tell us about where we've come from, where we are, where we're going - with great directors.
I get up every morning and think, today I'm going to make a difference. Today I'm going to end capitalism. Today I'm going to make a revolution. I go to bed every night disappointed but I'm back to work tomorrow, and that's the only way you can do it.
We're just not the type of artists that take anything for granted and just feel like, 'Oh yeah, you just know something great is going to happen.' We're not like that.
People seem to think that my movies are so carefully coordinated and arranged - and in a lot of ways, they are - but every single time I make a movie, I feel that every director makes these choices. You make choices about your script, you make choices about your actors, and how you're going to stage it, and how you're going to shoot it, and what the costumes are going to be like, and in every single detail, you make that decision. And for me, what ends up happening is, I wind up surprised at the combination of all these ingredients. It never is anything like what I expected.
I feel like at this point in the world of just creating anything, you're not going to be able to create anything new. I think the closest thing you're going to get to originality is a mixture of influences.
I wrote a work of history, I looked at over 500 sources - I spent three-and-a-half years on the project. I think the most gratifying and wonderful thing about the reaction is that people are learning things from the history that feel relevant to today.
I just feel compelled to continue to be transparent. It just really levels the playing field and eradicates the shame that I have, or that one might have, about being human. So I'm going to just keep going.
Stories? We all spend our lives telling them, about this, about that, about people … But some? Some stories are so good we wish they’d never end. They’re so gripping that we’ll go without sleep just to see a little bit more. Some stories bring us laughter and sometimes they bring us tears … but isn’t that what a great story does? Makes you feel? Stories that are so powerful … they really are with us forever.
To help [people] understand that what you shortcut today, cannot be made up tomorrow. So it's like, I'm not going to do anything today, and I'm going to do the wrong thing today and somehow tomorrow it will get a lot better."
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