A Quote by Tom Reiss

In the winter of 1940, 'The Atlantic Monthly' invited Peter Viereck, a twenty-three-year-old Harvard graduate who had won the college's top essay and poetry prizes, to write about 'the meaning of young liberalism for the present age.'
A lot of college graduates approach me about becoming screenwriters. I tell them, 'Do not become a screenwriter, become a journalist,' because journalists go into worlds that are not their own. Kids who go to Hollywood write coming-of-age stories for their first scripts, about what happened to them when they were sixteen. Then they write the summer camp script. At the age of twenty-three they haven't produced anything, and that's the end of the career.
I've whipped the Harvard graduate's ass. Nothing against Harvard - it's a hell of a school - but there I was, twenty five yards behind, wrapped in leg irons, and I beat him.
Understood what the struggle was about. My mother. Couldn't read or write, but she had more sense than many a graduate from Harvard.
I arrived in the U.S. for graduate study in literature in the fall of 1986. I was twenty-three. After a year, I began to paint, even though I had come to the U.S. intending to become a writer.
I didn't fear old age. I was just becoming increasingly aware of the fact that the only people who said old age was beautiful were usually twenty-three years old.
If a young man at the age of twenty-three can write a symphony like that, in five years he will be ready to commit murder.
When I graduated, I was told I was the first Latino to have three graduate degrees from Harvard. And Harvard does something amazing to you. It opens the doors to the world.
I went to college at Harvard, then did three years of graduate school at Yale. At both places I studied comparative literature. People find it odd that I went to both Harvard and Yale, and I guess it is odd, but that's just what people did where I grew up.
I entered Harvard in 1965 not really knowing what I wanted to do. This confusion seems to have lost me a fellowship. G. D. Searle and Company, the pharmaceutical firm, had their home office in Skokie, and they gave a fellowship each year to a graduate from my high school that was going to major in science in college.
I had never experienced anything like the response I got from people for Pirates of the Caribbean, where you meet a 75-year-old woman who had seen Pirates and somehow related to the character, and then five minutes later you meet a six-year-old who says, 'Oh, you're Captain Jack!' What a rush. What a gift. That was the challenge with Wonka, too--to be, in a sense, like Bugs Bunny. I find it magical that a three-year-old can be mesmerized by Bugs, but so can a 40-year-old or an 80-year-old. It's a great challenge to see if you can appeal to that huge an age range.
The thing about living in New York as a writer is that you hit that age where it feels like everyone has a book all at the same time. It's like that one year where you're invited to twenty weddings.
The truth is, part of me is every age. I’m a three-year-old, I’m a five-year-old, I’m a thirty-seven-year-old, I’m a fifty-year-old. I’ve been through all of them, and I know what it’s like. I delight in being a child when it’s appropriate to be a child. I delight in being a wise old man when it’s appropriate to be a wise old man. Think of all I can be! I am every age, up to my own.
One year Halloween came on October 24, three hours after midnight. At that time, James Nightshade of 97 Oak Street was thirteen years, eleven months, twenty-three days old. Next door, William Halloway was thirteen years, eleven months, and twenty-four days old. Both touched toward fourteen; it almost trembled in their hands. And that was the October week when they grew up overnight, and were never so young any more.
Twenty-five, he was. Twenty-five tomorrow. Some years the snow had melted for his birthday, but not this year, and so it had been a long winter full of cows.
The book was just something that came along after we played the Super Bowl and I wrote a little essay that went online. Then I had two or three weeks and I said, wow, that essay was pretty good. Maybe I'll try and write some other stuff. Writing about the depression, I just felt - you know, when you write a book like this, you have to open up your life. You have to be willing to do so to a certain degree.
To me, when you got a 20-year-old running back or 21-year-old receiver that's just coming out of college and you're out working these guys, age really don't matter. So it's easy for me to see what it is. People say it's all about age, but to me, it's mind over matter.
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