A Quote by Tom Riley

Oliver [Goldstick] is a very dynamic and imaginative writer, so the stage directions were visceral and very clearly written. — © Tom Riley
Oliver [Goldstick] is a very dynamic and imaginative writer, so the stage directions were visceral and very clearly written.
I just love language. I mean, I love it. I love stage directions. Any opportunity to write. I hadn't written in so long, I get very crazy and miserable. I - it's like not seeing my kids: I can't do it for very long.
Very rarely do I talk off the top of my head on stage. I'm not an improv guy. I'm a writer-guy who presents what he's written.
I usually write very few stage directions. I think a lot of that is a waste of time. The art of screenwriting is in its terseness, saying a lot with a little. I have no patience when I read a script where the writer describes this guy and what he's wearing and his glasses and his hair.
I was a very imaginative child, and my parents were very encouraging of that. My sister and I would put on plays; I would write my own stories.
'Presumed Innocent' was written over a six to seven year period with intervals in between where I was figuring out the end of the book and writing other stuff... My life as a writer was carried on against the odds. I had written four unpublished novels by then... as a writer of fiction, I hadn't gotten very far. I just wanted to do it.
I personally am a very big fan of 'Romeo + Juliet.' It had a visceral power to it that I thought was just exhilarating. It was a very arresting and very disturbing and deeply compelling version of the play.
I think I misunderstood Instagram and just thought it was people photographing their friends, and discovered there were a number of people, a number of artists, who were taking it very seriously and doing very imaginative work with Instagram as the medium.
Our characters were antiseptic but we weren't. And if you remember what we did on BATMAN, as the scripts were written very funny, we played them very straight.
To this day, to this very day, except for television, I've never had a writer. Anything I've ever done on the stage, happened on the stage and I developed it from there. It started doing impressions and jokes - which I did very poorly. To this day I can't tell a joke. That sounds nuts, but it's true. I exaggerate it and it becomes a joke. Everything I've ever done I've done out on the stage and it became a performance over many many years.
Words in prose ought to express the intended meaning; if they attract attention to themselves, it is a fault; in the very best styles you read page after page without noticing the medium. Works of imagination should be written in very plain language; the more purely imaginative they are, the more necessary it is to be plain.
If you're very clearly good or you're very clearly bad, then there isn't that much internal dilemma going on, and that's not necessarily as interesting to play.
Ive always been very visceral in that I feel things very deeply.
I've always been very visceral in that I feel things very deeply.
Americans are very enthusiastic. We have a new generation of moviegoers who love great horror films. I am a very imaginative man, and for me, it's easy to speak with my dark side. I have very beautiful, interesting nightmares.
I want to help you," Oliver said. "Why?" Galen looked up at him. "Because of Petunia?" Oliver was relieved that the prince didn't seem to be skeptical about his conviction. He simply looked like he wanted to know, and so did Heinrich, when Oliver dared to look at the other prince. Oliver was very aware that Heinrich had known his father. Had known him better than Oliver had, in fact. "Because of her," Oliver said at last. "Even though I have only met her twice, really...I just..." "I risked my life to save Rose after only speaking with her twice," Galen said with a small smile.
I would like to study Judaism. I feel that my own Jewish education was really quite superficial from a certain point of view. Although I think the values were very clear and were presented very clearly, there's - there were aspects of the whole tradition that were not emphasized. And, you know, I've come to those areas myself as I've grown older. But I would like to go deeper.
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