A Quote by Tom Riley
It's an art installation to put out a collection, with the people behind the scenes who are inventing and creating these designs and making sure they're realized on the catwalk, and just how much hangs on it for the designers. Their livelihoods hang in the balance, as far as whether this year's collection works for them or not, and there are so many people's jobs on the line, as a result of that. I just had no idea.
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I realized the structure in a collection is how they're put together. Structuring the collection became the art of it for me. Because the stories had all been written.
My Picassos and Ferraris - those are kind of just toys. Those aren't the things that matter. What matters in the car collecting or the art collecting is to learn about it, and then actually not the acquisition but to put them into a collection that I think is curated. You know, so something of me in the collection that the artist actually created the work. If I was going to collect art, it had to be something of me, my eye, things that appeal to me so when I looked at it, it would really look like a collection, not just an accumulation of stuff.
A catwalk show is just how it's done; it's just what you do - it's central to the presentation of a collection. It will be a very brave designer who gives up the catwalk entirely in favour of a digital show.
Personally, I have had sometimes moments where I thought my idea behind the idea of a collection - the concept maybe - something that we don't see at the end on the catwalk, I think the way it was, the genesis in my mind, was probably artistic, an artistic approach.
I am very excited about the launch of my new collection with Superga UK. I really enjoyed creating for the brand and adding a piece of myself into the designs. I hope that everyone loves them as much as I enjoyed making them.
I started collecting baseball cards and basketball cards when I was younger. I have a CD collection that turned into a DVD collection, and I have a Jordan shoe collection. And I don't drink, but I have a wine collection. I just started a sweatshirt collection. Every city that I'm in, I buy a sweatshirt. It's just something that I do.
I may not be in the office as much as I was at the start of the business but when a new range is launched - and we have two, a spring/summer and an autumn/winter collection - each year, all designs come through me first to make sure I am happy with them.
I've always had this idea that I would love to do a Boston-inspired collection, whether it's for my own line or whether it's for Gant.
When I come up with an idea for the collection, it's usually very precise, and I would say that every time, you're going to see that idea on the catwalk. It will go through ups and downs, but it's not going to be changed in the last month, that's for sure.
Art, like real estate, is half science, half gut. We go to a lot of art fairs. We have two full-time art experts who help me make all the decisions about how to build the corporate and personal collection and what we put in our developments. We don't let interior designers pick art for us.
A lot of people ask, 'How did you start the business, and how did you do it money-wise?' And the truth is that I had three jobs. A day job, an evening job, and then designing my collection as well. That's just how we did it.
Designers don't put out the same sweater every year. They just keep creating.
I've never liked to conceptualize too much about fashion, like it was art or science, which it is not. But it's nice when there's a clear idea behind a collection.
When the brave men and women who serve our nation in uniform leave to deploy overseas, they dont just leave behind their family and friends, often times they leave behind jobs and livelihoods as well. After the sacrifices they have made, making sure that they have access to a good paying job to support their families when they return is the least we can do.
Once I found out that I was playing 'Deathlok,' I unearthed my old comic book collection. I was going home for Christmas, and I have a collection of thousands of comics. I was surprised to see that 90% of them were Marvel. So, I wanted to go through my collection and start there.
I feel that one of the roles of the artist, in the way I define it, is that I need to be not just someone observing these tiny pockets of people on the planet who have devoted their lives to preserving whatever it is they're passionate about. I want to be them. I am one of them. I just have a different outlet and final outcome as an artist than many of them would. For them, the process can just end in holding on to it, just knowing they've got it tucked away in their private collection. I value that so much, but I feel the conversation dies in a way there.
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