A Quote by Tom Robbins

What mattered to Abu was the music of the sentence. 'A shadow does not belong to the object that casts it.' To Abu, it was a little poem. And in general, it was the poetics, the music of things that tossed his confetti.
Since a three-dimensional object casts a two-dimensional shadow, we should be able to imagine the unknown four-dimensional object whose shadow we are. I for my part am fascinated by the search for a one-dimensional object that casts no shadow at all.
I did a piece where I was talking about torture at Abu Ghraib, and I embroidered my hand with the image of the hooded Abu Ghraib prisoners who'd been tortured using a needle and thread. I know that meeting a Holocaust survivor when I was eight and seeing the tattoo on her arm from her time in the camps influenced my piece about Abu Ghraib.
I was ordered not to go out to Abu Ghraib after dark early on, because Abu Ghraib was extremely dangerous.
Regrettably, it has become clear that torture of detainees in United States custody is not limited to Abu Ghraib or even Iraq. Since Abu Ghraib, there have been increasing reports of torture.
Twofour54 is fantastic, it's a great organization, and the Abu Dhabi Film Commission, too - they are great ambassadors for Abu Dhabi.
Normally with any of the races, we go a bit early to get used to the time zone and acclimatize. We'll have a couple of days to see the places. My favorites so far are Montreal and Abu Dhabi. With Abu Dhabi, the facilities are excellent and the weather is always good.
The actions we took in the aftermath of 9/11 were harsh but necessary and effective. These steps were fully sanctioned and carefully followed. The detention and interrogation of top terrorists like Abu Zubaydah, Khalid Sheikh Muhammed and Abu Faraj al-Libbi yielded breakthroughs which have kept this country safe.
4Shbab has been dubbed Islamic MTV. Its creator, who is an Egyptian TV producer called Ahmed Abu Haiba, wants young people to be inspired by Islam to lead better lives. He reckons the best way to get that message across is to use the enormously popular medium of music videos. 4Shbab was set up as an alternative to existing Arab music channels.
European militants recognize Mumia Abu-Jamal, and the Mexican militants followed their example and legitimated his work because the Europeans said, "Hey, Mumia Abu-Jamal is relevant in the US. I, the European, am telling you. I am your political guide, your icon, your mentor for political references. I am telling you that you should support the relevant causes."
Abu Mazen told me he does not want to change the demographics of Israel.
I really wanted to work with Aashiq Abu, as I have loved all his films.
One very important thing I learned from Monk was his complete dedication to music. That was his reason for being alive. Nothing else mattered except music, really.
Things like Abu Ghraib and even Guantanamo are not new things: there are many precedents.
Music is the medium... how you use the music is different. Everyone use music to a positive light and effect. So it really depends on the individual and one's outlook. My music depicts life in general and the things that I see and the things that influence me, and such forth.
Whether we consider Nazi Germany or Abu Ghraib prison, there were many people who observed what was happening and said nothing. At Abu Ghraib, one photo shows two soldiers smiling before a pyramid of naked prisoners while a dozen other soldiers stand around watching passively. If you observe such abuses and don't say, "This is wrong! Stop it!" you give tacit approval to continue. You are part of the silent majority that makes evil deeds more acceptable.
The genius is a genius by the first look he casts on any object. Is his eye creative? Does he not rest in angles and colors, but beholds the design,--he will presently undervalue the actual object.
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