A Quote by Tom Robbins

Much more than an entertaining set of exaggerated facts, fiction is a metaphoric method of describing, dramatizing and condensing historical events, personal actions, psychological states and the symbolic knowledge encoded within the collective unconscious; things, events and conditions that are otherwise too diffuse and/or complex to be completely digested or appreciated by the prevailing culture.
Leadership is the name that people use to make sense out of complex events and the outcomes of events they otherwise would not be able to explain. In other words, people attribute leadership to certain individuals who are called leaders because people want to believe that leaders cause things to happen rather than have to explain causality by understanding complex social forces or analyzing the dynamic interaction among people, events, and environment.
This is an important point about symbols: they do not refer to historical events; they refer through historical events to spiritual or psychological principles and powers that are of yesterday, today, and tomorrow, and that are everywhere.
I believe that historians and analysts of historical events need the authority of facts supplied by living witnesses to the events, which they make their subject.
History is opaque. You see what comes out, not the script that produces events, [...] The generator of historical events is different from the events themselves, much as the minds of the gods cannot be read just by witnessing their deeds.
In non-fiction you have to stay true to historical events, be they personal or national .
'Not A Love Story' is inspired by true events, but it is not based on those events completely. When I first read about the Maria Susairaj case, I was fascinated with the psychological aspects, that two seemingly very ordinary people can go completely berserk.
Science is the knowledge of constant things, not merely of passing events, and is properly less the knowledge of general laws than of existing facts.
Writing for young children I find I often use particular jokes with words and exaggerated, funny events, but some of these haunt the more complex stories for older children too.
I want my work to become part of our visual history, to enter our collective memory and our collective conscience. I hope it will serve to remind us that history's deepest tragedies concern not the great protagonists who set events in motion but the countless ordinary people who are caught up in those events and torn apart by their remorseless fury. I have been a witness, and these pictures are my testimony. The events I have recorded should not be forgotten and must not be repeated.
A song playing comprises a very specific and vivid set of memory cues. Because the multiple-trace memory models assume that context is encoded along with memory traces, the music that you have listened to at various times of your life is cross-coded with the events of those times. That is, the music is linked to events of the time, and those events are linked to the music.
A complex is a cluster of energy in the unconscious, charged by historic events, reinforced through repitition, embodying a fragment of our personality, and generating a programmed response and an implicit set of expectations.
Many people believe that decentralization means loss of control. That's simply not true. You can improve control if you look at control as the control of events and not people. Then, the more people you have controlling events - the more people you have that care about controlling the events, the more people you have proactively working to create favorable events - the more control you have within the organization, by definition.
If in previous decades large historic events drew people together and oriented them toward collective action, the recent double trend toward greater choice but less security leads the young to see their lives in more individual terms. Big events collectivize. Little events atomize.
Historical fiction is not history. You're blending real events and actual historical personages with characters of your own creation.
It is true that some of my fiction was based on actual events. But the events took place after the fiction was written.
If you're too close to events, you lose perspective. It is not easy to be fair with the facts and keep your own convictions out of the picture. It is almost impossible to be both a participant in the events and their observer, witness, interpreter.
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