A Quote by Tom Robbins

Listen, I've been sick ever since I started working here, but today I'm well and I won't be in anymore. — © Tom Robbins
Listen, I've been sick ever since I started working here, but today I'm well and I won't be in anymore.
You've heard of people calling in sick. You may have called in sick a few times yourself. But have you ever thought about calling in well? It'd go like this: You'd get the boss on the line and say, "Listen, I've been sick ever since I started working here, but today I'm well and I won't be in anymore." Call in well.
I moved out after college, and I started working right away, and I've been working ever since.
I started working in London, and I've been free-lance ever since.
I started my career at the top and have been working my way downwards ever since.
I've always been thinking in three dimensions, ever since I started working with computer animation in the early '80s.
Ever since I was little, I was changing the pace. I think I was just getting bored on the court, so I was trying anything. It's been working ever since. I've been practicing it, and it's obviously throwing off a lot of players.
Well, ever since I started helping out my husband with the management of the company, I have been involved with the making of music videos.
I started 'The Rainmaker' in August 1996, and I've been working consistently ever since. It's not like I had some grand plan; I keep getting offered jobs so good I can't say no.
I think, ever since I started doing well commercially, it's always been like, 'Oh, well, you're only where you are because of your dad, and it must be because of Mark Ronson and Greg Kurstin that you do well.' It's just everyone apart from me is responsible for the songs that I've written selling millions around the world.
I started working when I was seven, and ever since then I've been saving for an apartment. Even before that I had a little jam jar designated for my apartment money.
I've been working in theater, really, since about 1965. I started working with the Mabou Mines about then, and in a way I've always worked in the theater, but it's never been a main part of my work. And it wasn't until Einstein that I kind of shifted into high gear with theater, working with Bob, with Bob Wilson. And since then I find it a very attractive form to work in. It's just an extension of my work.
I've been singing since I was 8 years old and working in clubs since I was 14. I've been working full time since I was 16.
I started doing martial arts since I was 12, and then I went into wrestling in college. After I met John Hackleman, I started getting really serious about it, and after a few amateur fights, I got an invite to the UFC and have been in love with it ever since.
Boxing has been in my blood since I can remember. It comes naturally to me, and I've enjoyed it ever since I started, at the age of six.
Ever since I started writing in college, I have, save for a few short breaks here and there, been working away on something. I love it, I need it, and so it never occurred to me to put writing on the back burner.
Ever since I was a child, I always had insecurity or suspicions about my own personal identity. That's why I started going to a lot of movie theaters, because I felt more comfortable there than at school. Now, the search for a personal identity is becoming a common topic for young Japanese people, and it's a big theme in their own lives. But it's been a theme in my life, as well, ever since I was young.
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