A Quote by Tom Robbins

There is a similarity between juggling and composing on the typewriter. The trick is, when you spill something, make it look like a part of the act. — © Tom Robbins
There is a similarity between juggling and composing on the typewriter. The trick is, when you spill something, make it look like a part of the act.
Composing on the typewriter, I find that I am sloughing off all my long sentences which I used to dote upon. Short, staccato, like modern French prose. The typewriter makes for lucidity, but I am not sure that it encourages subtlety.
The trick to being a novelist is to act like an iceberg. Make it seem as if you're displaying only one-tenth of what you know, and the other nine-tenths isn't visible and never mind if that part is pure styrofoam!
When I hear people talk about juggling, or the sacrifices they make for their children, I look at them like they're crazy, because 'sacrifice' infers that there was something better to do than being with your children.
Especially once those poetry events began, because, yeah, the stuff was still on the page, but the page was starting to spill into real space, spill into air, once you could hear it, once there was a typewriter, once there was a body of a typist, it was getting rid of the confines of the page.
Often people poopoo melody as if it's a cheap trick to make people like things, but in my experience it's the hardest part of the tune, to find something that doesn't immediately remind you of something that's happened before.
He knew that there was a difference between something that makes you happy and something that doesn’t make you unhappy. The trick was convincing yourself these were one and the same.
When I hear people talk about juggling or the sacrifices they make for their children, I look at them like they're crazy because sacrifice infers that there was something better to do than the thing - than being with your children.
The Sage embraces similarity of understanding and pays no regard to similarity of form. The world in general is attracted by similarity of form, but remains indifferent to similarity of understanding.
One should not focus on the differences between people but look for commonality and similarity.
It's people's own prerogative to be able to look at something and know the difference between 'this is what someone looks like with make-up on' and 'this is what they look like in real life.'
Every magic trick consists of three parts, or acts. The first part is called the Pledge. The magician shows you something ordinary. The second act is called the Turn. The magician takes the ordinary something and makes it into something extraordinary. But you wouldn't clap yet, because making something disappear isn't enough. You have to bring it back.
It can make you sad to look at pictures from your youth. So there's a trick to it. The trick is not to look at the later pictures.
I dropped my juggling balls and my face grew embarrassed. It wasn't until then that I looked around the circus of life and noted all were too consumed on their own juggling act to see. This is when I learned to have fun, and kick the balls instead.
There's just something about being on stage and being with the people that, once that camera turns on, you find the strength to keep it cool, look good, act like you're not cold, act like you ain't nervous, act like you aren't scared. I think that comes with confidence and practice.
I wanted at one point to act, which is a weird thing for men to want to do. It's a very vain profession. I don't mind women who want to act. That's fine. It's odd that men want to act, in that there's still a degree of vanity associated with it. It's like, "Put on some makeup, make me look good. Okay, now I'm going to roll my shoulder." Part of me still feels like, "Wow, that's weird for a man to do."
Like most working moms, my life is a constant juggling act.
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