A Quote by Tom Robbins

One tended to lose one’s bearings in the presence of willful and persistent acts of craziness, and the more gentle the act, the crazier it seemed, as if rage and violence, being closer to the norm, were easier to accommodate.
The closer you get to death, the more alive you feel. Dylan Thomas wrote, Do not go gentle into that good night. Rage, rage against the dying of the light. My dad always taught me to live like that. Dad wrote a poem too. It goes, Dune buggies. Woohoo!
If you have rage and righteously act it out and blame it all on others, it's really you who suffers. The other people and the environment suffer also, but you suffer more because you're being eaten up inside with rage, causing you to hate yourself more and more
There is no life to be found in violence. Every act of violence brings us closer to death. Whether it's the mundane violence we do to our bodies by overeating toxic food or drink or the extreme violence of child abuse, domestic warfare, life-threatening poverty, addiction, or state terrorism.
The attention of the media is only caught by acts of violence... so I must perform this act of violence against myself.
This is where our obsession with going fast and saving time leads. To road rage, air rage, shopping rage, relationship rage, office rage, vacation rage, gym rage. Thanks to speed, we live in the age of rage.
Do not go gentle into that good night but rage, rage against the dying of the light.
We must realize that violence is not confined to physical violence. Fear is violence, caste discrimination is violence, exploitation of others, however subtle, is violence, segregation is violence, thinking ill of others and condemning others are violence. In order to reduce individual acts of physical violence, we must work to eliminate violence at all levels, mental, verbal, personal, and social, including violence to animals, plants, and all other forms of life.
Violence breeds violence. Acts of violence committed in "justice" or in affirmation of "rights" or in defense of "peace" do not end violence. They prepare and justify its continuation.
Murray said, ´I don´t trust anybody´s nostalgia but my own. Nostalgia is a product of dissatisfaction and rage. It´s a settling of grievances between the present and the past. The more powerful the nostalgia, the closer you come to violence. War is the form nostalgia takes when men are hard-pressed to say something good about their country.´
...people think non-violence is really weak and non-militant. These are misconceptions that people have because they don't understand what non-violence means. Non-violence takes more guts, if I can put it bluntly, than violence. Most violent acts are accomplished by getting the opponent off guard, and it doesn't take that much character, I think, if one wants to do it.
His rage passes description - the sort of rage that is only seen when rich folk that have more than they can enjoy suddenly lose something that they have long had but have never before used or wanted.
It's music rage, which is like road rage, only more righteous. When you get road rage, a tiny part of you knows you're being a jerk, but when you get music rage, you're carrying out the will of God, and God wants these people dead.
The more distressing the memory, the more persistent it's presence.
The pleasure of a good act is something to be remembered - not in order to feed our complacency but in order to remind us that virtuous actions are not only possible and valuable, but that they can become easier and more delightful and more fruitful than the acts of vice which oppose and frustrate them.
The deliberate and deadly attacks which were carried out yesterday against our country were more than acts of terror. They were acts of war.
She understood the genre constraints, the decencies were supposed to be observing. The morally cosy vision allows the embrace of monstrosity only as a reaction to suffering or as an act of rage against the Almighty. Vampire interviewee Louis is in despair at his brother’s death when he accepts Lestat’s offer. Frankenstein’s creature is driven to violence by the violence done to him. Even Lucifer’s rebellion emerges from the agony of injured price. The message is clear: By all means become an abomination—but only while unhinged by grief or wrath.
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