A Quote by Tom Robbins
I go into a gallery or museum, and I realize that I don't have to formulate any opinions if I don't want to. I don't have to think this thing through and write about it at any great length. I can think about it if I want to; if not, I can just walk out. So I can enjoy painting really a lot more than I could when I had that sort of pressure.
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You're going to run into a great deal of opinions. I think that's just fertile ground for us. What else would you want to write a show about than something that is that much of a pressure cooker, that has that much influence and impact? We're going to run into a lot of different opinions, but it's inspiring to me that newsmen and newswomen have reached out and said how thrilled they are with what we're doing.
I write a lot on airplanes actually because it's completely isolating; there's no one to talk to, there's nothing to do. And then I think a lot of it sort of comes out sitting down with the people I'm co-writing with and talking to them about what I'm going through and what I want to say. It just sort of happens; every song came about in a completely different yet organic way.
I don't think you can write from a reactive place. I think you just write the thing you want to write about, and if other people are writing about it, that doesn't really come to bear on what you want to do.
I don't feel any real animosity towards critics when they write negative things. I think some are more perceptive than others. Some are very knowledgeable about painting. But it isn't something I have any influence over, so there isn't any point in worrying about it.
I suppose you do think about the time that's allotted to you more than when you were younger. The mortality thing obviously has a stronger pull for you. It's an imminent truth; it's not necessarily a bad thing. You realize - much earlier than my age now - that you won't be able to play for England's football team, just to take a really crass example. So you can't have that life again. Unless you believe in reincarnation or whatever. Reincarnation? That's a whole other question. I find people who talk about that sort of thing in interviews idiotic. And I don't want to go down with them.
Each individual has their own opinions about whether war is an answer to any problems. Personally I think it's a waste of time, but I think more importantly, that it's is an issue that we haven't had any say in. That's why I feel so strongly about it. I don't feel like we've really been given any choice in this matter. I think if you had a referendum tomorrow, Tony Blair would have no choice but to call off the war.
I wonder if we are seeing a return to the object in the science-based museum. Since any visitor can go to a film like Jurassic Park and see dinosaurs reawakened more graphically than any museum could emulate, maybe a museum should be the place to have an encounter with the bony truth. Maybe some children have overdosed on simulations on their computers at home and just want to see something solid--a fact of life.
Her face felt like it was scattered in pieces and she could not keep it straight. The feeling was a whole lot worse than being hungry for any dinner, yet it was like that. I want--I want--I want--was all that she could think about--but just what this real want was she did no know.
I definitely think there's a lot of pressure for teenaged girls and guys to hook up on prom. I think it comes with the belief that you have to lose your virginity before you go to college. It's a coming of age thing. I think it's really sad because it has nothing to do with what you want and everything to do with peer pressure. But it comes with the territory of prom. Thankfully more and more kids are knowing their limits, and I think we're raising kids to be really good people, and they're realizing that they don't need to do it just because.
A lot of these kids I think are more content just to be on Facebook and the computer than they are to actually go out. They just really want to get a picture to post to their buddies, and that's about it.
The great thing about Twitter is, you get a lot back, and I read through a lot, and I want my fans to know that I do read a lot, and it's why I do respond or retweet clever posts, and I'm constantly amazed by the cleverness of people on Twitter. I just think it's a really great tool to communicate with fans and influence conversations and raise awareness about things I'm interested in, that I think deserve some attention.
I think it's somewhere in my head, in my travel space, and it just comes out. It's a visual thing that happens unintentionally. People will tell me, "You do realize you just spoke with that accent, right?" And I'll go, "Oh, did I?" So it's not something I think about. As we talk, I have a visual about my speech and it just comes out like that. If that makes any sense!
I'm just wondering if this is the most effective method to bring about change. So I'm more inclined to withhold some of my opinions, and not even be involved in any demonstrations of any sort and just really try to figure out a method that I feel is more potent.
We underestimate teenagers at our peril. Even the dismissive thing out on the street--look at what they're wearing. Then we'll hear stories about how a toddler fell on the tracks, and it's often a teenager who comes to the rescue and walks away because he or she doesn't want any credit. I recognize it because I've written books for teenagers--it's basically that they feel things more than adults do. They want things more than you think. They want things with greater depth than you think they do. Teenagers have got a lot of soul that adults have forgotten they have within themselves.
Everyone likes a bit of variety. I'm sure none of my readers only want to read about anti-heroes or villainous protagonists any more than they only want to read about square-jawed heroes doing the right thing. I just write characters than entertain me and hope they'll be ones that other people want to read about, too.
I had written eight drafts of the Lemony Snicket' screenplay when this changing-of-the-guard thing happened, and I said to the new producers, "I don't think I could write any more drafts." I guess I was sort of hoping they would say, "Well that's okay, this last one is perfect." But instead, they said, "It's funny you should say that. We don't think you can write any more drafts either."
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