A Quote by Tom Rush

I worked hard at that through most of the '80s, and in 1990 my house burned in New Hampshire, and my studios and my offices. I had to decide at what level to rebuild, and I decided that I was going to stop trying to be all things to all people, and just go back to playing the guitar.
Most people look at their homes, and they are trying to decide what things cosmetically they want to do. When I go through a house and I make a decision about what we are going to do, I start with health and safety, followed by efficiency and longevity. It's really difficult because everyone has a different budget and situation.
I suppose when the things that give you bad dreams live inside you, there's no point in trying to stop them. They're going to come out whenever they decide it is their time. Better just to close your eyes and hold on tight, the faster to get the things you fear to go back to sleep themselves.
Not only are we going to New Hampshire ... we're going to South Carolina and Oklahoma and Arizona and North Dakota and New Mexico, and we're going to California and Texas and New York! And we're going to South Dakota and Oregon and Washington and Michigan. And then we're going to Washington, D.C. to take back the White House, Yeeeeeaaaaaargh!
You don't want someone to think you're from New Hampshire, because who cares about New Hampshire? You're basically just a pass-through.
I would love to go back and help rebuild that country and help - you know, kind of like what's going on with Iraq right now. You know, they've got a new government in place. They're trying to rebuild the country. I would love for that to happen in Cuba also
I would love to go back and help rebuild that country and help - you know, kind of like what's going on with Iraq right now. You know, they've got a new government in place. They're trying to rebuild the country. I would love for that to happen in Cuba also.
I decided that I was going to stop trying to convince older, more established heads of studios or networks to understand me and get me, and focus more on developing relationships with people who already do.
Most of my escapades were getting my Labrador dog into the back of my car to drive to Brooklyn where I worked at Avenue M Studios shooting a soap opera and battling being a 17 to 18-year-old playing twins being afraid that I was going to get fired, because who wouldn't fire me? I had no idea what I was doing.
And that's the one thing that people do not understand is that we have very low interest rates and if those go back to historical levels or even go back to scary thoughts that they're back in the late '70s, early '80s, then that's going to really be hard to actually pay off those debts. It's going to be a - it's going to be a very big problem.
I grew up with rock and pop music from the 70s and 80s. I had to play guitar in school - it was a music college and we had to take instrument classes there - so I think guitar playing and guitar sounds have always been an influence.
Stop hiding! Stop holding yourself back and playing yourself down! Stop worrying about how you look and what people are saying. Stop listening to what people are saying and trying to find out if they are whispering about you. Stop waiting for someone to tell you that you are okay or to make you feel special. Life is special! It is a special gift. This is your life! Now take your gift and live it out in the open! Decide today that you are going to live out loud!
I came home [after funerals] and I thought if I go back to California, where I had a small house, I don't think I'll ever come east again. So I decided to stay and go through the halls and stairways, talk to Gilda Radner, holler, express some of my anger and make sure there were no ghosts in the hallways that I should ever be afraid of.And then I found out - it sounds strange, but I found out she had left me the house. We never talked about her dying and what she was going to leave me or I would ever leave her. We just didn't talk about those things.
I felt I had nothing more to say. Everything would have had to be a replay of the previous two or three albums, and that decided me to stop. What bothered me most was not playing guitar at all anymore. I felt I had no more contact with the instrument. It was just a piece of wood to me. I even thought music had definitely left me. After fourteen albums, there may be an overload phase, a sort of lassitude.
Most people are trying to go digital, and trying to do different things with poetry. McSweeney's is going in the opposite direction - going more classic, and retro, which is all coming back.
Before this DJ thing, I was hopelessly taking things apart to try to figure out how they worked. I'd go mess around with burned-out cars, with my mom's stereo - I was public enemy #1 in my house for that. So my mom noticed that I was interested in this and decided to send me to school so I'd know what I was doing.
I've never mastered the guitar. Either I was playing it, or it was playing me; it depends how you look at it. As a kid, the only things I had to do was go to school, do my homework, and play guitar.
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