A Quote by Tom Scholz
I've sort of decided that I can settle for being just the artist, arranger, writer and part-time engineer. That seems like enough to do.
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I never decided at all to be an artist; being an artist seems to have happened to me.
I feel like I've been around for such a long time, as a writer and as an artist, that I need to sort of speak to the way that my perception of the world has sort of changed.
I'd just sort of gravitated toward the arts, and I had always loved music and really loved theater, even though I didn't want to act. For some reason, being in Kansas, you can either be a graphic artist or a visual artist, so I decided, 'I guess I'm going to be a painter.'
Being able to hear an artist and emulate them has been a huge part of being successful as a producer and co-writer. I think it's a problem when a producer comes in to work with an artist, and you can't hear the artist as well anymore. It's very important to me to be invisible.
The difference between being a part-time writer and a full-time writer is like the difference between dating someone and living with them. Some of the romance is gone, but you learn things you'd never know just by dating.
Every writer has to make an emotional journey from artist sitting in attic to being part of a business. The writer of a film is like Tinkerbell. You are only there because people believe in you. The moment they dont, because youre a pain the arse, youve lost.
And I find - I'm 63, and my capacity to be by myself and just spend time by myself hasn't diminished any. That's the necessary part of being a writer, you better like being alone.
I feel so lucky. When an actor that has been struggling for so long makes the transition into being an actor full-time, it is the most amazing feeling. It's just sort of like a 3,000-pound weight gets lifted from you, and you're able to mostly focus on just being an artist, which is an amazing, blessed luxury I have.
Yeah, I used to dress badly until I was about sixteen. But people just didn't seem to have enough respect for me, you know And I didn't like that, so I decided I'd have to show them they weren't any better than me, you know? They were sort of priding themselves. They would say, 'He beat us at chess, but he's still just an uncouth kid.' So I decided to dress up.
[Eugene] O'Neill made a living, certainly, at least. But each of these forms have sort of died the death in turn, and it's a simple fact of that universe that talent then migrates away from these forms, and then the amateurs get in, like lunatics in the ruins, sort of pretending to be artists. If you're ambitious enough to want to be a writer to begin with, you want to be a writer in some circumstances where there are rewards, where there's notice, where you don't have to be a teacher, and where you're frankly not nuts for wasting your time.
There's one good thing about getting in trouble: It seems like you do it in steps. It seems like you don't just end up in trouble but that you kind of ease yourself into it. It also seems like the worse the trouble is that you get into, the more steps it takes to get there. Sort of like you're getting a bunch of little warnings on the way; sort of like if you really wanted to you could turn around.
The idea of using media for expressing yourself artistically is kind of something I learned from my mother and my father. So for me, I think growing up wanting to be an artist, I always imagined myself sort of crossing over or mixing media and so it was a natural evolution for me to try to express in a filmic way or in a visual way. It just kind of seems like a natural sort of progression for me in terms of what I'm trying to do as an artist.
I was an apprentice television engineer when I decided to pack it up and go full-time, much to my father's disgust. But I'm still interested and I like messing about with TV. I can't deny it ... TV engineering was the job I'd wanted at the time, and I got what I wanted. But in the long-term it would have been second best to being a musician.
I've decided to do what I want to do in life and follow my own path as an artist, so I've decided not to participate in any sort of nostalgia in which I'm marginalized as a pop icon of yesteryear.
I decided that I wanted to become an engineer of the biological world, specifically a protein engineer.
I feel like the point of being an artist is to have your own voice: to do it the way you would do it and not the way anyone else would do it. If you're a strong enough writer, then that voice is going to come out all the time, and I can't stop it from coming out, no matter what I do.
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