A Quote by Tom Scholz

Playing live was always definitely a lot more fun. You picture it: working alone in the studio eight or 10 hours a day with nobody else there, being frustrated and driven crazy by all of the things that you have to deal with, vs. thousands of people screaming and singing along with you playing.
I spent thousands of thousands of hours playing the piano, and by thousands of hours, I mean playing in cover bands or wedding bands or disco bands or original bands or playing cabaret for Todd McKenney.
I speak with a lot of players who have stopped playing and they go to the gym for two hours a day and say 'now I run 10km a day.' When they were still playing they would complain about running for 10 minutes!
When you are in the studio, you don't have anybody to feed off of; meanwhile, when you are playing live, you interact with people and you feel the energy in the room. When the crowd is going crazy, that definitely impacts your vocal performance. I prefer to sing live.
I would definitely like to continue playing Aquaman. Playing a superhero is a lot of fun. Creating these stories is a lot of fun. I do what I love. And what I love is entertaining people.
It's definitely more fun playing a bad guy. It feels a lot better than playing one of the good guys.
I was tired. I hadn't slept eight hours in two, three years. I lived on four, five hours of sleep. You can do it during a campaign because thousands are screaming for you. You're getting adrenaline shots each day. Then the campaign ends, and there are no more shots.
When people ask me what I think about when I'm playing, I picture myself as a 10-year-old girl, playing in the park, scoring a goal and then celebrating. That's when I'm playing best.
I know a lot of people dread going to work every morning, but my work is playing pretend and doing stunts and screaming. It's a lot of fun and I get to play dress up. Every day is exciting and different and new and cool. I couldn't be more grateful.
On the road you have to be more organized. Also, a crowd's energy helps you focus. Nothing compares to playing live. You have to slamdunk whatever you're playing. In the studio, you can do things over.
I spend hours playing chess because I find it so much fun. The day it stops being fun is the day I give up.
The 10,000-hours rule says that if you look at any kind of cognitively complex field, from playing chess to being a neurosurgeon, we see this incredibly consistent pattern that you cannot be good at that unless you practice for 10,000 hours, which is roughly ten years, if you think about four hours a day.
The Beatles realized that what they were making in the studio could never be performed. And they had already given up on performing because there were too many screaming fans and they were playing in larger and larger venues so they couldn't even hear what they were playing, it just wasn't any fun any more.
The buzz you get when you're playing a song and everyone is screaming and dancing and what have you and singing along is incredible.
Playing live is everything. Sometimes being on the road is hard, and it's a lot of work, and tiring. From a musical point of view, you improve all the time. Not only that, but you learn how to deal with people and deal with energy in a live setting.
It was fun playing a horrible, snotty kid in 'Harry Potter', and then playing Prince Charming where I was also singing and playing guitar, and then playing a completely different character.
You don't always do the same things you've done the night before. That's what makes playing live so interesting as opposed to being in the studio.
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