A Quote by Tom Scholz
I played in a couple of really crummy bands, including one in the dorm I was in at MIT, for a year or two.
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I started writing songs for youth theater and stuff, and so it's really writing music for the stage that started me out, but then I eventually went to music college and did a two-year course in contemporary music and then just played in endless bands, cover bands, jazz bands.
I was at a speaking engagement for MIT... and I said, 'The Professor has all sorts of degrees, including one from this very institution [MIT]! And that's why I can make a radio out of a coconut, and not fix a hole in a boat!'
I played a little football when I was really young, but I didn't start until my junior year. My cousin, who was a big influence in my athletic career over time, said you should go out for receiver. I said let's give it a shot. I went out and played a little and caught a couple balls over a couple dudes heads.
Two factors explain our success. One, MIT's renaissance after World War II as a federally supported research resource. Two, the mathematical revolution in macro- and micro-economic theory and statistics. This was overdue and inevitable, MIT was the logical place for it to flourish.
Sonnymoon and Quadrants are a couple of bands that really inspire me in terms of the melodics of things and certain tones and just what feels good. It takes me back to the type of music that I grew up on in my household. We played a lot of gangsta rap, but we also played a lot of oldies, and I think that mix is part of what inspires my sound.
I thought of killing myself but soon decided that I could always try MIT and then kill myself later if it was that bad but that I couldn't commit suicide and then try MIT afterwards. The two operations, suicide and going to MIT, don't commute.
I think the majority of the people in the band still play in other bands, because we're not that active. But for me, it's the only thing I want to do and it's the only thing I'm focused on. I've always played in a couple of different bands at once, but now I'm only interested in the Dead Child stuff.
I got thrown out of school several weeks in my senior year being caught in the girls' dorm. This was 1954, friends. The girls' dorm was off limits. Even to girls, I think.
There are bands that I am friends with, who will invite me up on stage. Like Les Savy Fav, who have had me on stage, and I have played on their record. There are a couple of bands like that. Yo La Tengo has invited me to play with them.
I started on drums when I was 13 and played them for two years. Then I went to guitar for a year, played keyboards for a year and a half, and went back to guitar.
I played in rhumba bands, mickey mouse bands; all kinds of bands.
I'd played in about four or five bands before we started up, only a couple of which did club dates.
I don't know how these bands did it back in the '70s when they would crank out two records a year and tour at the same time, which is incredible to me. I have so much respect for all those bands working so hard like that.
I played with Prince in 2010... the America tour. The one with Misty Copeland dancing on top of the piano! But Prince played the piano on that song. But I played two dates with him on that tour. When we played the gig, every couple of songs, Prince would change his clothes.
Most bands have a two-year success rate. By the third year, it's sort of over. Here we are in Poison still together 26 years later.
I played to the best of my ability. Played to win and was fortunate enough to have won a Stanley Cup and a couple gold medals and played on some really good teams... I'm not going to look back and say I wish I could have done this or that.
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