A Quote by Tom Seaver

He (Joe Morgan) knew when something needed to be done, and he'd do it. — © Tom Seaver
He (Joe Morgan) knew when something needed to be done, and he'd do it.
They sat quietly together for a few minutes, Joe holding Fiona's hand, Fiona sniffling. No flowery words, no platitudes passed between them. Joe would have done anything to ease her suffering, but he knew nothing he might do, or say, could. Her grief would run its course, like a fever, and release her when it was spent. He would not shush her or tell her it was God's will and that her da was better off. That was rubbish and they both knew it. When something hurt as bad as this, you had to let it hurt. There were no shortcuts.
Now, about that mulatto teacher and me. There was no love there for each other. There was not even respect. We were enemies if anything. He hated me, and I knew it, and he knew I knew it. I didn't like him, but I needed him, needed him to tell me something that none of the others could or would.
I'm not bad (his speed). I'm no Joe Morgan, but I'm pretty good for a white guy.
I've done collaborations with Scott [Morgan, aka Loscil] in the past, but it is something that kind of appeals to me these days.
When I was producing 'Formula Vol. 2,' I knew I needed to come hard with the features and do something I hadn't done with Aventura. Collaborating with Drake was definitely one of those big steps that helped bachata go to the next level.
I'd done my time in corporate America, from McDonald's making shakes to Morgan Stanley making deals and, yet, I felt awfully constrained by the uniform - not just my clothes, but how I felt I needed to conform - that a traditional job required me to wear.
I knew that I needed to do something that I desperately loved. There was a period where I did question if it was acting because I knew that I would be making things hard on myself. I knew that there was going to be a little bit of a hullabaloo because of my dad being who he is and all that.
Eoin Morgan and Joe Root have a really calm and open changing room. There's no tension there. You don't have to be walking on egg shells around any of the players.
I had a whole bunch of things I knew I needed to work on from self-scouting. I knew on certain routes what I needed to do and ways to use my eyes and shoulders and manipulate coverage.
You know, I think I knew you for about three weeks before I ever really saw you smile. And then one day, Morgan said something and you laughed, and I remember thinking it was really cool because it meant something. You're not the kind of person who smiles for nothing, Colie. I have to earn every one.
I always had a knack for putting the peanut butter on the bread. My brother Kevin knew how to spread the jelly around real good. When we found out Joe could cut off the crusts, well, that's when we knew we had something special.
J.P. Morgan, then past 70, was asked by the son of an eminent father why he [Morgan] didn't retire. When did your father retire? asked Mr. Morgan, without looking up from his desk. In 1902. When did he die? Oh, at the end of 1904. Huh! snapped Mr. Morgan, If he had kept on working he would have been alive still. Work is God's best medicine. It is God's medicine for man.
I knew we needed a weapon to break through to the US market, and it had to be something different, something that nobody else was making.
He knew he was Joe DiMaggio, and he knew what that meant to the country.
I thought, "why don't we be innovative and create something nobody had ever done before?" It was a huge hit and we immediately did a sequel with Chris Rock, Morgan Freeman, Tina Turner and Maya Angelou.
I knew when I met Morgan that she was the perfect girl because she was in college, she was an athlete and we had the same morals and beliefs and I knew that she would be a great mom.
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