A Quote by Tom Seaver

Basically, hitters fall into a pattern, and once you know what they like, you can set them up for the putout with something else. — © Tom Seaver
Basically, hitters fall into a pattern, and once you know what they like, you can set them up for the putout with something else.
That's basically what I have people do, I have them become aware. Once you set a goal, once you become aware of something, it becomes part of your consciousness.
Some of the songs I do once in a while that I kinda... my set list is basically like my hits, there is a good reason why they are there; people really like them.
You don't have the economy of scale of building a set once and casting once. You blow up the world, basically, at the end of each episode.
You don't have to live up to anyone else's standards, you don't have to look like anyone else, you don't have to compare yourself to anyone else. You being you is enough, and you putting your positivity and good vibes out into the world, once you get to that point absolutely everything will fall into place.
Cracks especially. You have to be careful of the cracks.. Sometimes they are disguised as something else. A doorway, or a smile or even a winking eye. And if you fall through them, you never know were you will end up.
There's a pattern when tours start - a pattern of infighting, of making up, of breaking up, of addiction. There's a pattern of going to jail. There's a pattern of passion for music.
And ever since then [I] have set up businesses basically out of frustration. I mean, I set up Virgin Atlantic with one second-hand 747 because I hated the experience of flying on other people's airlines. And I thought, you know, I could try to create the kind of airline that I'd like to fly on. And people liked it.
This is what I think. You can’t have everything at once. Like the pockets in your clothes, there’s a limit to how much we can have at once. There are times when to put something in your pocket, you have to throw something else away. You have to prioritize those decisions by yourself. There are things that you can’t get back once you’ve thrown them away.
Now, some people might look at something and let it go by, because they don't recognize the pattern and the significance. It's the sensitivity to pattern recognition that seems to me to be of great importance. It's a matter of being able to find meaning, whether it's positive or negative, in whatever you encounter. It's like a journey. It's like finding the paths that will allow you to go forward, or that path that has a block that tells you to start over again or do something else.
When you feel like you're going to have a low-scoring game, why not have one of your better hitters have a chance? All of a sudden you're in the ninth inning and you have one of your best hitters on deck that doesn't get up. I always think about that.
I think it helps to get a film made because people who put money in are nervous. They like to have something recognisable enough to make them secure that there's a pattern there - that someone else put their money into something like this and made it back.
I like my friends to be the hitters. The pitchers, they all have the same brain as I do. The hitters see the game from a different perspective.
I think once you know who your man is, and you know his wants and his desires and things like that, and you let him play his position, everything else is just gonna fall into place.
For me, that's the difference in good hitters and bad hitters. If you can stay in the zone and make them throw you pitches, you'll be able to drive the ball a little bit better.
Major league hitters have more power. But Japanese hitters are very good at making contact. I don't like either.
The logistics of blood is something that I didn't even understood as a first-time director. Not just actors and make-up, but once a set gets bloody, you don't un-blood it. Once something gets bloody, you either rebuild the set, or you just don't get the shot.
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