A Quote by Tom Segura
I've always worked toward, and felt comfortable with, you know, pausing and guiding the audience on a longer bit.
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I've always felt comfortable on the ball, and I don't know why people are so surprised when you can control it well. It's not a disability. It's just that I'm a bit taller than everyone else.
I love to play with the notion of who the protagonist is - who is the audience supposed to root for? I did it in 'Sicario' and feel it was the strength of the script - guiding the audience's allegiance toward the villain because they think he's the hero, until it's revealed that he's the villain.
I worked on it [ Too Much Tuna] for a little bit downtown and it was a great experience. I couldn't believe how enthusiastic the audience was for it. It was just extraordinary. It felt like you were at a rock concert, which was just unusual for shows at Cherry Lane, which are usually intimate plays about big ideas, you know.
Somewhat predictably, I'm much more comfortable in front of an audience - and a big audience is even better - than faced with one stranger. This always seems like a bit of a failing on my part, as a human. I think that's also why I put myself situations where I'm forced to engage in other ways.
As a guitarist and a lot of the times as a singer, I don't feel that comfortable and you really feel that when there's not an electric guitar or a nice beat to back it up. But, I enjoy challenges as a rule. I have always felt that what doesn't kill you, will make you stronger. I have learned to love with the rawness a little bit more and I know what I need to work on a little bit more as the tour goes on.
I always felt a bit different. When I'm with boys, I feel comfortable. When I'm with girls, I catch feelings. It's not anything I can control.
God's guiding hand, the guiding Voice, resting lightly upon us is best felt and heard when we are silent and still.
I felt that, as time went on, an audience gets to know you and in a weird way, you kind of feel like you get to know the audience a little bit. When I'm doing stand-up gigs now, I feel like I'm doing gigs in front of people I know. I think that's the result of doing late-night shows for so long.
I definitely enjoy an audience, when I'm performing. As I get older I'm kind of less comfortable at being demonstrative. I always fancied myself as a raconteur, but that never really worked out.
Sometimes you have to go outside your boundaries. You have to jump over that fence, but I always felt very comfortable (in my jobs) because I worked with some good people.
Maybe sometimes it can take a player a bit longer to get comfortable and to get to know everyone and exactly what he needs to do.
I felt voiceless for so long, I wasn't ever able to say what I felt out loud. I didn't know how to say it. Posting online presented itself as a comfortable medium. I could say what I wanted to say in a way I still felt comfortable. Whenever, however I wanted to.
I worked on 'Sarah Connor' even longer than 'Firefly.' And I always remembered how generous everyone was to me when I didn't know what to do, and I didn't know the rules, and I didn't know camera angles, and I didn't know lighting.
I mean, I have worked out. I've always worked out a little, you know, when I felt it was, like... time.
I learned construction and carpentry from my father at a young age, so I felt very comfortable and I felt very satisfied when I worked in that field.
I've said this before, but I've always felt more comfortable playing the guy who thinks he's the hot shot or thinks he's the greatest and is so far from it, you know? The misguided character. That's always more interesting to me - especially with a comedy. I've always felt inside more like a character actor.
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